Biographical Sketches

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Credit :Literratura.org

Ildar Abuziarov was born in 1975 in Nizhny Novgorod. In 2000 he graduated from Nizhny Novgorod University with a degree in history. At the same time, he studied Islam in Moscow. He is the author of several novels: HUSH, Kurban-Roman, The Autumn of Djinn, Mutabor, and other books. His novel HUSH was longlisted for the National Bestseller Prize and the Big Book Prize. Mutabor was shortlisted for the 2013 National Bestseller. His Concerto for Violin and Knife in Two Parts was included in the long list of the Russian National Bestseller Prize (2017).


Narine Abgaryan was born in 1971 and grew up in the small town of Berd, Armenia, about two hundred miles from Yerevan, surrounded by mountains. Abgaryan, a Russian-Armenian writer, wrote a remarkable debut novel, Manyunya (2010), which was shortlisted for the Russian Big Book Award. It tells the story of two little girls, Nara and Manyunya. In 2016, she won the Yasnaya Polyana Award for her wonderful novel Three Apples Fell from the Sky (2015). Abgaryan’s works have been translated into 13 languages, including English.


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Vladimir Aristov was born in 1950. He graduated from the Moscow Institute of Physics and Technology with a doctorate in physics and mathematics. Aristov is the author of twelve volumes of poetry, two novels, and numerous articles and essays on poetry. Aristov’s poems and essays have been published in Russian literary journals (Nezavisimaya Gazeta, Arion, Vozdukh, NLO.) He is the recipient of the Alexei Kruchenykh Prize (1993), the Andrei Bely Prize (2008), and the Razlichie (Distinction) Prize (2016). His work has been included in two American anthologies of postmodern Russian poetry, The Third Wave and Crossing the Century: The New Generation in Russian Poetry. His book The Arrangement of Moscow’s Morning Streets (Устройство утренних московских улиц) was published in 2020.


Photo credit: WikipediaAndrei Astvatsaturov was born in 1969 in St. Petersburg. After graduating from St. Petersburg State University, Astvatsaturov began teaching at his alma mater. A specialist in American and British literature, Astvatsaturov is currently a professor of the history of foreign literature at St. Petersburg State University, specializing in Henry Miller and T.S. Eliot, and director of the literature program at the Smolny Institute. Astvatsaturov is known for his autobiographical fiction, which explores memories of his hometown of Leningrad-St. Petersburg. He became famous after the publication of his novel People in the Nude (2009). His book Don’t Feed and Don’t Touch the Pelicans (Не кормите и не трогайте пеликанов), a novel set in London, was a finalist for the National Bestseller Prize (2020).


Ivan Akhmetev was born in Moscow in 1950.  Educated at Moscow State University, where he studied physics, Akhmetov worked as an engineer, fireman, baker, and librarian. He began writing poetry in the late 1960s, but his poems were distributed only in samizdat, including under the pseudonym Ivan Alexeev. In 1982, under the same name, he participated in the typewritten almanac List of Acting Persons. In his poetic miniatures, Akhmetev develops the tradition of minimalism and concretism that comes from the “Lianozov School” of modern Russian poetry. He is the author of several volumes of poetry and his work has been translated into 13 languages. Since the 1990s he has been publishing classics of Soviet unofficial literature, including works by Kropivnitsky, Obolduev, Satunovsky, and others: Poetry of the Second Half of the Twentieth Century (2002) and Russian Poems 1950-2000 (2010). Akhmetiev is the curator of the network “Anthologies of Informal Poetry”. In 2019 he received the Brodsky Foundation grant for his poetry.


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Boris Akunin is the pen name of Grigory Chkhartishvili. Akunin was born in Georgia in 1956. He graduated from Moscow State University with a degree in Japanese Studies. His first novel about Erast Fandorin, a handsome and young detective, was set in Tsarist Russia.  Akunin specializes in historical mysteries set in Imperial Russia. His series The Adventures of Erast Fandorin and The Adventures of Sister Pelagia have been translated into many languages. His first “serious” novel, Aristonomiya, was published in 2012. According to Akunin, it is a historical novel with “an emphasis on ideas”. Boris Akunin was one of Russia’s bestselling suspense writers until his books were pulled from Russian bookstores in 2023 because of his criticism of the authorities. He has lived outside Russia since 2014.


Nadya Alekseeva was born near Moscow in 1988. She studied playwriting and prose at the CWS School of Writing and has been published in “Yunost”, “Druzhba Narodov” and “Novy Mir”. She was a finalist for for the Lyceum Prize.  Polunoshnitza  is her debut novel. In the spring of 2016, a native of Moscow, travels to Valaam in search of his relatives and trying to restore the history of forty years ago. In the seventies there was a boarding school in the monastery on the island, where veterans of the Great Patriotic War and their families lived. Semyon finished school there and dreamed of becoming a doctor. Pavel’s motorboat passes by, spreading Ladoga into two white whiskers, where seals sunbathe on the shoal, smoke rises from the shore, and the bell that survived the war rings. Nadya tells about herself:” I work at the CWS Literary School and volunteer at the Foundation for the Care of Homeless Animals. I live in Moscow. I often go to the sea. I like to paint, to run (like most writers), a fan of author’s movies. I raise a cat. Or my cat’s raising me.”


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Peter Aleshkovsky was born in 1957 and graduated from Moscow State University. He worked for several years as an archaeologist in Central Asia and as a conservation historian in the Russian North before devoting himself entirely to literature in the mid-1990s. His early cycle, Stargorod, consists of 30 stories, mostly anecdotal in nature. The short novel The Seagull, rich in ethnographic detail, was nominated for the Russian Booker Prize in 1992. His book Skunk: A Life (Жизнеописание Хорька) was nominated for the Russian Booker Prize in 1994, Vladimir Chigrintsev was nominated for the same award two years later, and Fish (Рыба) was nominated for the Russian Booker Prize and the Big Book Award (2006). In 2016, Aleshkovsky won the Russian Booker Prize for his novel Fortress.


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Yuz Aleshkovsky (1929-2022) was a writer, poet, playwright, and performer of his own songs.  He was born in Siberia in 1929 but later his family moved to Moscow. In 1949, Aleshkovsky was drafted into the Soviet Navy, but was sentenced to four years in prison (1950-1953) for violating the disciplinary code. After serving his sentence, Aleshkovsky returned to Moscow. From the very beginning of his literary career, his works were available only in samizdat. Some of his poems were included in the self-published almanac Metropol (1979). With no hope of being published officially in the Soviet Union, Aleshkovsky emigrated to the West in 1979.  The following year he was invited to the United States and settled in Connecticut, where he lived and worked as a visiting Russian émigré writer.  Aleshkovsky had a distinctive writing style – a combination of story and satire. He was the author of Kangaroo and Nikolai Nikolaevich.


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Maxim Amelin was born in Kursk in 1970. He graduated from the Maxim Gorky Literary Institute. For fourteen years he was the director of the St. Petersburg Symposium Publishing House. Now he is the editor-in-chief of the OGI and B.S.G. publishing houses. Amelin is the author of several books of poetry: Dubia (1999), The Gorgon’s Steed (Конь Горгоны), 2003, and the collection of poems, articles and essays The Curved Speech (Гнутая речь), 2011. Amelin’s poetic style is somewhat unique on the contemporary Russian poetry scene. His first book Cold Odes (Холодные оды) (1996) was written in the neoclassical tradition of the 18th century, influenced by Vasily Trediakovsky. Amelin is also a translator of Catullus, Homer and other ancient Greek poets. He is the recipient of numerous literary awards, including the Moscow Account (2003), the Bunin Prize (2013), and the National Poet Prize (2017). The Joyful Science: Selected Poems of Maxim Amelin in translation by Derek Mong and Anne Fisher, was published in New York in 2018. Amelin lives in Moscow.


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Maria Arbatova was born in Murom in 1957. Arbatova is a novelist, short story writer, playwright, journalist, talk show host, and one of Russia’s best-known feminists. She studied philosophy at Moscow State University. After graduating from the Maxim Gorky Literary Institute, she became a playwright. Arbatova is the author of 14 plays staged in Russia and abroad and 20 books. She has won the hearts of a wide audience with her books and plays. She is also one of the leaders of the Russian feminist movement, and thanks to her efforts, the concept of feminism has gained legitimacy in post-Soviet Russia. Maria’s books, her numerous appearances and statements in the press, and her social work have brought the issue of discrimination against women in Russian society to the forefront. She lives in Moscow.

 


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Polina Barskova was born in 1976 in St. Petersburg (Leningrad). She began publishing poetry in Russian journals and published her first book at the age of 15. She came to the United States in 1998 to continue her graduate studies at Berkeley, having already earned a degree in classical literature from St. Petersburg University. Barskova taught Russian literature at Hampshire college (Massachusetts), and now is a professor at Berkeley University. In addition to poetry, Barskova  is a literary scholar on the poets of the siege of Leningrad during World War II. In 2015, she was awarded the Andrei Bely Prize, one of Russia’s most prestigious literary awards, for her first book of prose, Живые картины (Living Pictures), which was translated into English and published in 2022.

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Pavel Basinsky was born in Frolovo, a small city in the Volgograd region in 1961.  He attended Saratov University and Moscow’s Gorky Literary Institute. He has a PhD in comparative literature. In 2008 he undertook a literary experiment – the creation of a universal Russian novel. The Russian Novel, or the Life and Adventures of John Polovinkin claims to be a combination of several genres: a detective story, a love story, a mystical novel, a political novel, an adventure novel, etc. In July 2010, Basinsky’s book, Leo Tolstoy: Escape from Paradise, was published, reprinted twice in two months, and won the Big Book Prize.  Basinsky’s book Лев в тени Льва (Lev in Leo’s Shadow) chronicles Tolstoy’s relationships with his children, especially his third son Lev. In 2014, he was awarded prize for the book Saint against Leo. John of Kronstadt and Leo Tolstoy: A Story of an Enmity. His documentary books on the life and work of Leo Tolstoy have unleashed a new wave of interest in the phenomenon of the “Apostle from Yasnaya Polyana”. In addition to being a Tolstoy expert, he has written three books on Maxim Gorky and edited anthologies of writers such as Gorky, Mandelstam, Leonid Andreyev, and Mikhail Kuzmin. In 2022, Basinsky’s new book Podlinnaia istoriia Anny Kareninoi was nominated for the National Bestseller Award. He says: “I am aware that there is no true story of Anna Karenina. There are as many Anna Kareninas as there are readers of this novel. But I flatter myself with the hope that my book will help fans like me who are hooked on this novel to make sense of their own personal Annas. Of course, without having to agree with me”.


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Andrei Bitov (1937-2018) has been called the “founder of Russian postmodernism”. He was born in Leningrad and graduated from the Leningrad Mining Institute (1962). He was the author of numerous novels and short story collections: Prisoner of the Caucasus, Life in Windy Weather, The Monkey Link, and others. His masterpiece Pushkin’s House, which depicts the Soviet reality of the 1960s, is considered one of the first works of Russian postmodernism. Bitov was awarded the Bunin Prize in 2006 for his prose collection Palace Without a Tsar. Bitov’s work has been translated into a number of European languages, including English, German, Swedish, French, and Italian.

 


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Vera Bogdanova was born in 1986 in Moscow. In 2011, she graduated from the Linguistics Department of Moscow State University with a degree in Linguistics. After taking advanced training in New York, she worked in logistics and marketing. In 2020, Bogdanova’s manuscript Pavel Zhang and Other River Creatures became a finalist for the Lyceum Award. In 2021, the novel was published by Elena Shubina and became a finalist for the Big Book and Yasnaya Polyana Prizes. The novel tells the story of Pavel Zhang, a programmer in the Moscow office of a Chinese company. Bogdanova managed to write a vivid dystopian novel about an orphan who wanted to become successful, but failed, and the near future in which Russia may find itself under the total state and Chinese technological control.


By Valery Ledenev. Faces of Russian-Literature.
Credit: Valery Ledenev/ Faces of Russian-Literature

Vasily Borodin (1982-2021), one of the most talented poets and essayists of his generation, had an enormous influence on contemporary Russian poetry. Vasily Borodin was born in 1982 in Moscow, graduated from the Moscow Metallurgical Institute, worked as an editor, essayist and literary critic. Borodin’s path to poetic fame was unusual. He began writing poetry in his early childhood, but his first publication did not appear until 2005 on the website Polutona. He wrote five books of poems: Luch. Parus (2008), P.S. Moscow – Gorod-jiraph (2011) and others. He was a finalist for the poetry prize “Distinction” (2013). For his brilliant collection,  Losinyi Ostrov, Borodin was awarded the Andrew Bely Prize (2015). His last book of poems, Mashenka, came out in 2019.


Marina Boroditskaya was born in Moscow in 1954. She graduated from the Moscow State Institute of Foreign Languages in 1976. Boroditskaya is the author of several books of poetry, books of poetry for children, and numerous translations of poetry and fairy tales from English. Many of her poems have been translated into English. They have appeared in publications on both sides of the Atlantic.

 

 

 


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Ilya Boyashov was born in Leningrad in 1961 into a family of composer. He studied history at the Herzen Pedagogical Institute with a special interest in the military history of the 20th century. He is the author of several books. In 2007 he won the National Bestseller Prize for The Way of Muri, the allegorical story of a cat’s journey across Europe after losing his home and owners during the war in Bosnia. His novel Tank Driver or the White Tiger (2008), about the Soviet tank driver, was shortlisted for the National Bestseller and Big Book Awards and was adapted for the screen by Karen Shaknazarov in 2012. He lives in Peterhof.

 

 


1659_03_bykov2-150x150Dmitry Bykov (pen name of Dmitry Zilbertrood) was born in Moscow in 1967. Bykov has authored more than 80 books, including novels, poetry, biographies, and literary criticism.  Educated at Moscow State University, where he studied literature, he worked as a journalist and TV presenter. In 1990s, he became a member of “Courtouaznye Manieristy” group of poets who specialized in writing ironic poetry. His acclaimed Biography of Pasternak (2005) became a sensation after its publication. It won the National Bestseller Prize (2005), and the Big Book Prize (2006). The biography differentiated with prior accounts of Doctor Zhivago. Bykov is the author of several novels, two collections of short stories, and several collections of poetry. Bykov won the National Bestseller Prize again in 2011 for Ostromov, or the Sorcerer’s Apprentice, a novel about freemasons in Leningrad during the 1920s. After years of cultural presence in Russia, he is now in exile. Bykov lives in the United States.


Nikolai Baitov (Goman’kov) was born in 1951 in Moscow, where he still lives. He was educated at the Moscow Institute of Electronic Technology and worked for twelve years as a programmer. In 1987 he gave up his job to become a church custodian. In 1985 he founded Epsilon-Salon, a “samizdat” literary magazine (together with Alexander Barash). The magazine represented the avant-garde wing of Russian literature in the mid to late 1980s. Its authors included Arkady Bartov, Oleg Temny, Valery Krupnik, Vladimir Sorokin, and Mikhail Sukhotin. Bytov’s first magazine publication was in 1989. Since then, he has published Равновесия разногласий (Balance of Disagreements) (1990), Bремена года (The Seasons) (2001), Резоны (The Reasons) (2011), and others. For his book Думай, что говоришь (Think What You Say) he was awarded the Brodsky Fellowship in 2007 and the Andrey Bely Prize in 2011. Baitov writes: “As a writer, I know that only a few phenomena of our world and human existence (and the least interesting ones) can be described in words. So I use poetry as a kind of super-language with which I can (at least try to) express the ‘unspeakable.”


Denis Butov was born in 1975. Butov lives in Krasnoyarsk, Siberia. He spent two years on active duty in Chechnya. Butov is devoted to the military theme. His Five Days of War plunges the reader into the midst of fierce fighting and miraculous rescue from certain death. How Dreams Don’t Come True is a novel about the inability of an ex-serviceman to return to civilian life after serving in Chechnya.


Yury Buida was born near Kaliningrad in 1954. He graduated from Kaliningrad University in 1982, then worked as a photojournalist and deputy editor of a regional newspaper. He has lived in Moscow since 1991. He currently works as an editor for the newspaper ‘Коммерсантъ.” He is the author of several novels: The Domino Player (1993), Иго (1996), Boris and Gleb (1997). In his works, everyday life is combined with the grotesque. In his novel Прусская невеста (The Prussian Bride) Buida explores the theme of “the complex relationship of the local inhabitants to the past history of the Kaliningrad region”. His novel Blue Blood was nominated for the Big Book Award in 2011. In 2012 he published the grotesque novel Вор, шпион и убийца (Thief, Spy and Murderer). The novel was nominated for the Big Book Prize (2013). In his new novel, Дар речи (2023) (The Gift of Speech), Buida traces modern Russian history from the Revolution to the present through the story of one family. It was shortlisted for the Big Bok Prize 2023.


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Evgeny Chizhov  was born in 1966 in Moscow. After graduating from the Law Faculty of Moscow State University in 1988, he worked as a lawyer. In 1994 he briefly moved to Germany and returned to Russia three years later. Since then, he has worked as a journalist and translator. Chizhov’s literary debut was in 1997. In 2000, “October” published his novel The Dark Past of the Man of the Future. Chizhov’s second novel, A Character Without a Role, was published in 2008. The next novel, Перевод с подстрочника (Translation from the Interlinear (2013), became a finalist for the Yasnaya Polyana and Big Book prizes.  In 2020, he received the Yasnaya Polyana prize for the book Собиратель рая (The Collector of Paradise). The Collector of Paradise is an interesting take on the theme of nostalgia, which prevents us from living in the present. The novel is set in the 1990s, when the collapse of the Soviet Union left the characters’ entire futures in the past: Kirill, a regular at Moscow’s flea markets, and his mother, who suffers from Alzheimer’s, both illustrate different aspects of returning to the past and disconnecting from the present.


CHIZHOVAElena Chizhova was born in 1957 in Leningrad, now St. Petersburg. Chizhova turned to writing in 1996 after being rescued from a burning cruise ship. Her novel The Time of Women about the remarkable ability of Russian women to cultural resistance during hard times won the Russian Booker Prize in 2009. She is the director of the local PEN center in St. Petersburg. In 2017, she said, the main challenge facing the St. Petersburg PEN is that the Russian authorities are currently trying to “provincialize” Petersburg. When asked about her literary preferences in 2011, Chizhova recommended several books: Pavel Basinsky’s Leo Tolstoy: Flight from Paradise; Elena Katishonok’s Once There Was an Old Man and His Wife; and Eduard Kochergin’s Angel Doll.  


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Lada Chizhova was born in 1991 in Novoaltaisk, Siberia, but later moved to Moscow. Since then, she has been a student at the Maxim Gorky Literary Institute. Her first publications appeared on the websites New Reality, Polutona and Litkarta.ru. They were noticed by the public and critics, but her rise to fame and literary success came after her media appearances on the Internet. Her works were included in a long list of nominees for the 2012 LiteratuRRentgen Award. Chizova’s poetic style is unusual: her verse libre poetry creates a universal and beautiful image of the world around her. Her poems have been translated into Italian.


Alexander Chudakov (1938-2005) was born into a family of teachers in Shchuchensk, Kazakhstan. He graduated from the Department of Philology at Moscow State University in 1960 and received his Ph.D. in 1983. After graduation, he worked at the Institute of World Literature, taught at Moscow State University, the Gorky Literary Institute. Since 1988, he has taught at universities in Hamburg, Michigan, Los Angeles, Seoul and Cologne. A member of the International Chekhov Society, he has published over two hundred articles on classical Russian writers of the nineteenth century and on the history of Russian philology. He is the author of widely admired memoirs of such leading Russian literary scholars as Viktor Shklovsky, Viktor Vinogradov, and others, as well as books: Poetika Chekhova (Chekhov’s Poetics, Ardis Press, 1983); Mir Chekhova. In 2000, Chudakov published his novel The Darkness Falls on the Ancient Stairs in the magazine “Znamya”, which La Pensée Russe called “the great literary event of 2000”. It was nominated for the Russian Booker Prize in 2001. In 2011, the novel won the Booker of the Decade (posthumously).


Photo credit Rodrigo Fernandez:Wikimedia Commons free media.
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Lev Danilkin was born in 1974 in Vinnitsa, Ukraine. He is a Russian writer and literary critic. He is also an editor at “Rossiyskaya Gazeta.” He graduated from Moscow State University and holds a Ph.D. in Russian Philology. Among his colleagues, Danilkin is often praised as “the leading literary critic” in Russia. He is the author of biographical works on Yuri Gagarin and Alexander Prokhanov. Danilkin is the winner of the Big Book Prize (2017) for his book Lenin: The Pantocrator of Sun Dust ( Ленин: Пантократор солнечных пылинок), one of the most interesting works about the founder of the Soviet state Vladimir Lenin.

 

 


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Dmitry Danilov was born in Moscow in 1969. Danilov began his career as a journalist and corporate writer, often writing about his travels in Russia. He is currently the editor-in-chief of the website of a major car manufacturer. Danilov’s book Описание города (Description of a City) about monthly trips to a southern Russian city was among the finalists for the Big Book Award in 2013. In the late 2010s, Danilov began to publish poems and plays, winning several awards. His play The Man from Podolsk was awarded the 2018 Golden Mask for the best drama/playwright. This is his first and very successful play, a disturbing satire on the omnipresent paternal state that infiltrates people’s lives. His latest novel Сашапривет!  (Hi, Sasha!) has been nominated for Big Book Prize -2022. Danilov’s books have been translated into English. He lives in Moscow.

 


Polina_Dashkova_in_Moscow_Feb2015_img1Polina Dashkova, the pen name of Tatiana Polianchenko, was born in Moscow in 1960. Dashkova, a graduate of the Maxim Gorky Literary Institute, is Russia’s most successful mystery writer, with a total of 40 million copies of her books sold so far.

 

 

 

 


Andrei Romanenko, 2012
Credit: Andrei Romanenko

Danila Davydov was born in 1978. He  graduated from the Maxim Gorky Literary Institute and holds a Ph.D. in philology. He is a prominent scholar in the field of naïve and primitive poetry and a literary critic. Davydov is the author of four books of poetry and was the first laureate of the Debut Prize (2000) for his collection of short stories Experiences in Heartlessness. From 1999 to 2004, he was the Chairman of the Russian Union of Young Writers “Vavilon.” He edited  Brother’s Cradle: the Début Anthology of Poetry, and was the contributing editor of Nine Measurements: An Anthology of New Russian Poetry (2004). His poetic style is ironic and often includes quotations from folklore and other poets. In his poems he creates an image of a metropolis where people are lost and don’t know where they came from or what their purpose is.


Andrey Dmitriev is a fiction writer and screenwriter. He was born in Leningrad in 1956. He studied at the Department of Philology at Moscow State University and graduated from the VGIK. Currently, he lives in Moscow. He is the author of four books of prose. His novel The Villager and the Teenager won the Russian Booker-2012. The novel This Shore ( Этот берег)  has been shortlisted for the Big Book Award-2021. Andrei Dmitriev’s novel is set in modern-day Ukraine, where the hero, a retired schoolteacher, flees Russia, driven by his own fears and a combination of ridiculous circumstances. Thanks to a chance meeting, the hero’s second life begins – a dramatic continuation of his first.


DragoArkady Dragomoshchenko (1946-2012) was born in Potsdam, Germany. In 1969 he moved to St. Petersburg. He was educated at the Vinnitsa Institute of Education, where he studied literature, and at the St. Petersburg Institute of Theatre, Music and Cinema. He worked as an editor and as a journalist. Dragomoshchenko started writing poetry in 1970s but published a first poem in a literary magazine in 1985. He is considered the foremost representative of “language poetry” in contemporary Russian literature. His poetic style is often compared to the style elaborated by the American L*A*N*G*U*A*G*E poets. He won the Andrey Bely Prize in 1978.


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Mikhail Elizarov was born in 1973 in Ivano-Frankovsk, Ukraine. He graduated from Kharkov State University with a degree in philology. He also studied vocal and film studies in Berlin, Germany. His novel Pasternak and collection Krasnaya Plyonka were nominated for the National Bestseller Prize. His novel The Librarian ( Библиотекарь) won the Russian Booker Prize (2008). This book about the lost generation of Soviet people is one of the striking works of Russian postmodernism of recent days. After several years of “silence,” Elizarov published a new novel in 2019. His brilliant novel Земля (The Earth or The Dirt) won the National Bestseller Prize (2020).  Russian literary critic Viktor Toporov characterizes Elizarov as one of only two or three contemporary visionary writers of Russian literature (along with Vladimir Sharov and Sasha Sokolov).


Photo credit: Wikidata.
Credit: Wikidata

Oleg Ermakov was born in 1961 in Smolensk. He worked as a park ranger in the Barguzinsky, Altai and Baikal national parks (1978-1980), then as an employee in the regional newspaper and a correspondent in Smolensk. In 1981-83, he served in the Soviet Army in Afghanistan. This experience formed the basis of his first books Afghan Stories (1993), Afghan Tales: Stories from Russia’s Vietnam.  His Радуга и Вереск (Rainbow and Heather) was shortlisted for the Big Book Prize-2018. It could be defined a post-modern novel reflecting on the modernity and past of Smolensk.


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Maria Galina was born in Twer’ in 1958. Since 1987, she has lived in Moscow. A graduate of Odessa University majoring in marine biology, she had taken part in several sea expeditions in her youth. She has been a professional writer since 1995. Two of her novels, Little Boondock and Mole-Crickets (Медведки), were nominated for the Big Book Prize in 2009 and 2012. Her fiction contains a strong element of “magic realism”. She is the author of Iramifications (2009) translated into English. It is an example of Russian “fantasy” genre.

 

 

 


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Elena Fanailova was born in 1962 in Voronezh. She graduated from the Voronezh Medical Institute and received a degree in journalism from the Voronezh State University. For six years she worked as a doctor in the Voronezh regional hospital. In 1995-2012 she worked as a journalist for Radio Liberty and has lived in Moscow since the late 1990s. Fanailova is the author of eight volumes of poetry. Her poems have been translated into ten languages and anthologized in English in Contemporary Russian Poetry (2008) and The Anthology of Contemporary Russian Women Poets (2005). Fanailova was awarded the Andrei Bely Prize in 1999 and the Moscow Count Prize in 2003. Fanailova’s recent writings, published in both Ukrainian and Russian, have come to symbolize her solidarity with Ukraine and opposition to her native Russia.

 


Figgle-Miggle (Фигль-Мигль)(Ekaterina Chebotaryova) appeared on the Russian literary scene in 2010.  She was born in 1970 in St. Petersburg and graduated from St. Petersburg University. Her first book, You Love These Movies So Much, was shortlisted for the prestigious National Bestseller Prize in 2011. Until her novel Wolves and Bears won the National Bestseller Prize in 2013, little was known about her. Since then, she has been recognized as a talented satirist, compared to Nikolai Gogol and Victor Pelevin.  She has published six novels.


Picture by Aleksey Balakin, Wikipedia
Credit: Aleksey Balakin/ Wikipedia

Sergey Gandlevsky was born in Moscow in 1952. As a young man he worked as a tour guide, teacher and editor. Gandlevsky began writing poetry in the 1970s and in 1975 became one of the founders of the poetry group “Moscow Time”. The group was well-known in underground Soviet literature and included Bakhyt Kenzheyev, Alexander Soprovsky and Alexei Tsvetkov. After perestroika, he received the Anti-Booker Prize for his collection of poems Celebration (1995) and the Maly Booker Prize for his novel Trepanatsiya Cherepa (1996).

 

 


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Alisa Ganieva was born in 1985 in Moscow, but soon moved with her family to her native Dagestan. A graduate of Maxim Gorky Literary Institute, Ganieva has won numerous awards for her prose and also a prize for her literary criticism. She was propelled to true stardom by her short novel Salam tebe, Dalgat! (2009) which won the Debut Prize. From the first strophes of Salam tebe, Dalgat! one is introduced to the marvelous world of the Caucasian Dagestan village. She is the author of award-winning novel The Bride and the Bridegroom (2015).  In June 2015 Ganieva was listed by “The Guardian” as one of the most talented and influential young people living in Moscow.

 


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Andrei Gelasimov was born in 1965 in Irkutsk, one of the largest cities in Siberia. He studied foreign languages at the Yakutsk State University and directing at the Moscow Theatre Institute. In 2001, he became a popular in Russia when his story “A Tender Age,” originally published on the Internet, was included in an issue of the magazine “Oktyabr”. Gods of the Steppe won the 2009 National Bestseller Award in Russia. The Russian experience of World War II is told through the eyes of 12-year-old Petka Chizhov, a fatherless boy living near the country’s border with China. IIt is 1945 and the war is coming to an end when Petka befriends Red Army troops guarding Japanese prisoners of war and forms an unexpected bond with one of the camp’s prisoners, Miyanga Hirotaro.  Publisher’s review: “Gelasimov moves deftly between the lives of these two characters, capturing the humor and humanity with which they face bleak circumstances.”

 


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Mikhail Gigolashvili is a Russian-language novelist born in Georgia but living in Germany. He was born in Tbilisi in 1954 and received his Ph.D. from Tbilisi University, where he specialized in Dostoevsky. Before moving to Germany in 1991, Gigolashvili was a teacher and author of numerous articles and monographs on Russian literature. He currently teaches Russian at the University of Saarland. Gigolashvili’s first novel Judea (1978) was  followed by The Translator (2003), a collection of short stories, Cryptograms (2007). His novel The Devil’s Wheel (2010) was short-listed for the Big Book Prize and was one of the winners of the readers’ choice vote. In 2020, his new novel Judea, 1st century was published.

 

 


Author: Антон Носик Википедия
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Linor (Julia) Goralik is a Russian-Israeli writer and poet. She was born in 1975 in Dnepropetrovsk, Ukraine and immigrated to Israel before moving to Moscow in 2000. She lived in Moscow from 2000 to 2014. While living in Moscow, she wrote for several Russian editions, taught fashion theory, published several books of poetry and flash fiction, two novels (both collaborative), comics, children’s books, and nonfiction – more than 20 titles in all. Among her books: Ustnoye narodnoye tvorсhestvo obitatelei sektora М1 (2011), Valery (2011), and others. She also worked in cultural marketing. Together with Stanislav Lvovsky, she organized several interesting art exhibitions and projects, bringing contemporary Jewish culture to Moscow. Her poetry is sometimes described as “new epic” style. Her works have been translated into English, Italian and Chinese. She has been the editor of the website Booknik since 2014. In 2016 she received the Joseph Brodsky Memorial Grant for Russian Poets. She lives in Israel but continues to write in Russian.


Picture by Rodrigo Fernández, Wikimedia
Credit: Fernández/ WikiMedia

Alla Gorbunova was born in 1985 in St. Petersburg. She is a graduate of the Faculty of Philosophy at St. Petersburg State University. A poet, prose writer, and translator, she has published six books of poetry and prose and won the Andrei Bely Prize for her 2019 collection, Inside Starfall. Her first collection of short prose, Ins & Oughts, was published in 2017. Gorbunova received the NOS Jury Prize in 2020 for her Конец света, моя любовь (It’s the End of the World, My Love). The English translation was published in 2023. In 2022, ACT and Redakzia Eleny Shubinoi published her diary prose Summer (Leto) about the quarantine months of 2020, when her family stayed several months in the old dacha. It’s a wonderful book about family life in the midst of the world pandemic.

 


Anna Glazova is a poet, translator and scholar in German Studies and Comparative Literature with a PhD from Northwestern University. She resides in Chicago and Hamburg but writes in her native language, Russian. Glazova was born in Dubna in 1973. Glazova is the author of several volumes of poetry in Russian: Pusti, voda (Let the Water, 2003); Pyetlya. Nyevpolovinu  ( 2008) and others. Glazova’s work was previously published in English in the anthology Relocations: Three Contemporary Russian Women Poets – Polina Barskova, Anna Glazova, Maria Stepanova, (2013) which was a finalist for the Best Translated Book Award in 2014 (USA). Glazova won the Andrey Bely Prize for her latest book, Dlia zemleroiki.


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Dmitry Glukhovsky was born in Moscow in 1979. He studied journalism and international relations in Israel and lived in France and Germany. From 2002 to 2005, he worked at EuroNews in Lyon, France, before returning to Russia to continue his career at “Russia Today”(RT). He has traveled to places such as Chernobyl, the Baikonur Cosmodrome and the North Pole, where he hosted the world’s first live television broadcast in 2007. Glukhovsky’s first novel, Metro 2033, was originally published on his website in 2002 with free access for all readers. The novel became an interactive experiment that attracted thousands of readers. He is known for his bestseller It’s Getting Darker and a series of satirical stories about Russia that are critical of his homeland. He writes in the genres of science fiction, magical realism, and dystopia. Glukhovsky has emigrated from Russia and has been charged by Russian authorities for his civil position in June 2022.


Photo credit gallery.vavilon.ru/
Credit: gallery.vavilon.ru

Alexander Ilyanen was born in 1958. He graduated from the Military Institute of Foreign Languages in Moscow. For more than 20 years, he served as a military interpreter. He is currently retired. Ilyanen has won the Andrei Bely Prize for his novel Boutique Vanity (2007). His And Finn and The Road to Y. were nominated for the Russian Booker Prize. His novel Пенсия  (2015) was a great success with critics and has been much discussed. Illanen’s works are fragmentary and are considered one of the most interesting literary experiments of the last decade. He lives in St. Petersburg.

 

 


Alexei IvanovAleksei Ivanov was born in Nizhny Novgorod in 1969. In 1971, his family moved to Perm’, where he grew up. He studied journalism at Ural State University. Ivanov earned a degree in cultural studies in 1996. Ivanov has been nominated three times for the National Bestseller Prize. He is the author of famous novel The Geographer Drank his Globe Away. The award-winning film (2013), directed by Alexander Veledinsky, was based on the novel of the same name. Ivanov’s novels The Gold of Revolt and The Heart of Parma were highly praised by critics and readers alike. In 2009, Ivanov co-wrote the screenplay for the movie “Tsar” with Pavel Lungin. Ivanov presented his new book Shadows of Teuton in 2021 in Kaliningrad.


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Alexander Ilichevsky is a Russian-Israeli writer. He was born in Azerbaijan in 1970. He studied physics at the Moscow Institute of Physics and Technology and in California in the 1990s. He moved to Israel in 2013, where he works as a medical physicist. Ilichevsky won the 2007 Russian Booker Prize for his novel Matisse, about a Moscow physicist who gives up a comfortable life to wander. He won second prize in the 2010 Big Book competition for The Persian, which draws on his childhood memories of Azerbaijan. Ilichevsky’s Anarchists (2012) is reminiscent of the classic Russian novel, with its long, soul-searching conversations, but it also contains a lot of graphic and violent scenes that spoils it. Ilichevsky considers himself first and foremost an Israeli writer, despite his writing in Russian, because his works are full of Jewish cultural and philosophical motifs. Nevertheless, his Newton’s Drawing (Чертеж Ньютона) won the 2020 Big Book Prize.  He lives in Jerusalem.


Nikita Ivanov was born in 1989 in Yekaterinburg. He studied art and cultural studies at the local university, worked as a steward and barista. He now works as a manager at an advertising agency. In 2008 Ivanov was awarded the special prize by the jury of the LiteraturRentgen prize. He lives in Yekaterinburg.


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Alexander Kabakov (1943-2020) was a Russian writer and journalist. He was born in 1943 in Novosibirsk, where his family had been evacuated during World War II. He graduated from Dnepropetrovsk University and after serving in the army, he worked as an engineer in a rocket laboratory and as a journalist. He became well known during the perestroika for his dystopian novel, No Return, which was translated and widely published. In 1999, a sequel to No Return followed, the novel Condemned. His book Moscow Tales has been translated into many languages. In 2006, he received the Big Book Award for his book Everything Is Reparable.

 

 


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Maxim Kantor was born in 1957 in Moscow. The son of noted Soviet art historian and philosopher Karl Kantor, Kantor graduated from the Moscow Polygraphic Institute with a degree in Arts. In 1983 he organized the independent group “Krasny Dom” (Red House). The group held a number of unofficial one-day exhibitions. In 2006, Kantor published a novel, The Drawing Manual (Uchebnik risovania), which provoked controversy in the press. In 2013, Kantor’s novel, Red Light, was shortlisted for the National Bestseller Prize. He currently works as a painter in Europe and as a social commentator on Facebook and other media, specializing in pseudo-philosophical writing and criticism of the Russian authorities.

 


Mark_kharitonovMark Kharitonov was born in 1937 in the Ukrainian town of Zhitomir, later the family moved to Moscow. Kharitonov graduated from the Moscow Pedagogical Institute and worked as a teacher. He started to write in 1971 but only one work The Day in February appeared in print before ” glasnost'”. He wrote an excellent novel, Dva Ivana (1980), but it was not published until 1988. In 1992, Kharitonov won the first Russian Booker Prize for his novel Linii sudby, ili Sunduchok Milashevicha. In 1994 it was translated into English as Lines of Fate. It was considered one of the most interesting novels of the last decade of the Soviet Union. Written at the height of Gorbachev’s power in 1985, the book is a kind of postmodern detective story, a meditation on Russia’s past and present, and the debilitating effects of Soviet state on the nation and the Russian psyche. His prose has been described as a mixture of descriptive writing and extended intellectual commentary.


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Margarita Khemlin  (1960-2015) was born in Chernigov, Ukraine, but lived mostly in Moscow. She studied at the Maxim Gorky Literary Institute and worked as a reviewer for Nezavisimaya Gazeta and as an editor for Segodnya, Itogi, and Channel One Russia. Her first novel, Klotzvog, about the Soviet Jewish experience and the historical trauma of WWII through the eyes of beautiful Maya Klotzvog, was short-listed for the 2009 Russian Booker Prize. Khemlin’s novel, The Investigator (2012), was shortlisted for the Russian Booker Prize and won the NOSE Award for the Best Detective Book of the post-Soviet period. The novel is set in Soviet Ukraine in the early 1950s, and the plot unfolds around a criminal investigation. The novel deals with the Jewish legacy and the devastating consequences of the war.


Timur_KibirovTimur Kibirov (Zapoev) was born in 1955 and graduated from the Krupskaya Pedagogical Institute. From 1975 to 1977 he served in the Soviet Army. He began publishing poetry in the late 1980s and became one of the most recognizable contemporary Russian poets. Kibirov is the author of several books of poetry, postmodernist in nature, including When Lenin Was Young (1995), Stikhi o liubvi: Albom-Portret (1993), In Memoriam Derzhavin (1996) and others. Kibirov was the first recipient of the Joseph Brodsky Memorial Fellowship Fund and received many literary prizes, including the Anti-Booker (1997). In 2010, Kibirov published his first novel, Lada, or Bliss: A Chronicle of True and Happy Love. English translations of his poems have appeared in Third Wave: The New Russian Poetry (1992) and Contemporary Russian Poetry: An Anthology (2008).

 


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Kirill Kobrin was born in 1964 in Nizhny Novgorod and has a PhD in Medieval History.  He writes fiction and nonfiction prose, co-edits Moscow magazine of culture and politics Neprikosnovenniy Zapas (Emergency Rations), and researches the cultural history of Russia, Great Britain and the Czech Republic. For fourteen years he worked as a lecturer at Nizhny Novgorod Pedagogical University. Since 2000, Kobrin has lived in Europe. He spent 13 years in Prague as a broadcaster and managing editor of Radio Free Europe/Radio Liberty (Russian Service).  He is the author of 14 books and his texts have been translated into several European language.  Now he resides in Riga.


Eduard Kochergin was born in 1937, at the height of Stalin’s repression. As a young child, he was separated from his parents. They were arrested on false charges and the boy was sent to an orphanage for children of “public enemies” in Siberia. Sometime later, he escaped from the orphanage. It took him 6 years to reach Leningrad. He returned to his hometown and miraculously found his mother, who had spent ten years in prison. After graduating from the Leningrad State Theatre Institute in 1960, Kochergin became an internationally acclaimed stage and set designer and is currently the head of stage design at the Bolshoi Dramaticheskii Theatre (Tovstonogov Theatre) in St. Petersburg. He has staged over 100 plays in Russia and abroad. He is a laureate of state and international awards, a member of the Russian Academy of Arts and a professor at the Institute of Arts. His book Christened with Crosses, based on his childhood memories, won the National Bestseller Award in 2010.

 


Elena Koliadina was born in Vologda. She has been a contributor to “Cosmopolitan Magazine” since 1995. Her novel The Flower Cross, a novel written in Old Russian, won the Russian Booker Prize in 2010 and became the literary sensation of the year. The narrative takes the reader back to the 17th century to a town called Totma. It is the story of a beautiful girl Theodosia, sacrificed by the local priest. The Koliadina’s style has often been criticized for its naturalism.

 

 

 


Photo credit: Institute of Russian Language
Credit: Institute of Russian Language

Kirill Korchagin is a poet, linguist and critic. He was born in 1986 in Moscow. His path to poetry was not typical: after graduating from the Moscow Institute of Radio Engineering, Electronics and Automation, he continued his studies and received a PhD in Russian language from the Institute of Russian Language (2012). Since then, he has been teaching at MGU and has participated in numerous projects in applied linguistics. His poetry was first published in the journals “Air” (Воздух), “Рец” and “НЛО”. Korchagin is the author of a book of poems, Предложения. He was a finalist for the LiteratuRentgen and Debut awards. He is also a recipient of the Small Prize (Московский счет). He writes in the tradition of vers libre, his poetry is innovative and paves the way for new forms of poetic expression. He lives in Moscow.


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Vladimir Kozlov was born in 1972 in Mogilev, Belarus. He spent his childhood and adolescence years on the suburbs of that city. His coming-of-age years coincided with the collapse of the Soviet Union. Kozlov graduated from Minsk State Linguistic University, and then from the Indiana University (USA). He has worked as a journalist, editor, translator, screenwriter and documentary filmmaker. Since the early 2000s, Kozlov has been lived in Moscow. He is the author of a dozen books of fiction and non-fiction, including Gopniki (Hoods) (2002), SSSR (USSR) (2009), long listed for the Big Book Prize and Domoi (The Return), 2010. In 2012 he published two interesting novels: 1987 and a requiem for the 1990s Svoboda (Freedom).


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Anna Kozlova was born in Moscow in 1981. She graduated from Moscow State University with a degree in journalism. Kozlova is an award-winning novelist and screenwriter who grew up in a family of writers. A Muscovite and graduate of Moscow State University, Anna has reported for some of Russia’s leading newspapers and magazines. She has won both Russia’s top literary award for her novel F20 and Russia’s top screenwriting award for Garden Ring, a modern social saga. Her novel F20, about the life of a teenage girl, Julia, diagnosed with schizophrenia, was the winner of the 2017 National Bestseller Prize. The jury emphasized that Kozlova’s novel is “unprecedented for its modern literary sharpness and irony, and raises the question of how people with mental disorders can live in society without being outcasts.”Her latest novel is Rurik, a psychological thriller about a runaway teenager who unwittingly becomes a cause célèbre. She currently lives in Serbia.


OLYMPUS DIGITAL CAMERASergei Kruglov,a poet and Orthodox priest, lives and serves in the city of Minusinsk, Siberia. He was born in 1966 in Krasnoyarsk. Kruglov studied journalism at the Siberian Federal University and worked at the local newspaper “Vlast’ Trudu”. Kruglov has published poetry since 1993. In 1999 he was ordained a priest, while continuing to write poetry. In 2002, a selection of his poems, previously anthologized in the collection Provincial Literature, was shortlisted for the Andrei Bely Prize. In 2008 he won the prize for his books Mirror (Зеркальце, 2007) and Typist (Переписчик, 2008).

 

 


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Maya Kucherskaya is a novelist, professor of literature, fiction writer, critic, and essayist. She was born in 1970 in Moscow.  After graduating from Moscow State University, she received her Ph.D. in literature from  UCLA (1999). She is currently a professor of Russian literature at the Moscow School of Economics. Kucherskaya writes both fiction and nonfiction, as well as scholastic works. Her first novel, God of Rain, won the Student Booker Prize, and her second novel, Auntie Mina (2012), won the Big Book Readers’ Choice Award. In 2005 she published a biography of Grand Duke Konstantin Romanov for the Lives of Remarkable People series, as well as a book of gospel stories for children. In 2021, her biography Leskov: An Unknown Genius, came out, taking second place at the Big Book Award.


By Dmitry Rozhkov, Wikipedia
Credit: Dmitry Rozhkov/ Wikipedia

Sergey Kuznetsov was born in Moscow in 1966. He is a writer, a journalist and an entrepreneur. He graduated from the chemistry department of Moscow State University in 1988. In the 1990s, Kuznetsov turned to philology, writing a book on the poetics of Joseph Brodsky and translating Stephen King and Susan Sontag into Russian. Since 1996, he has written numerous film and literary reviews for the media and actively participated in the creation of modern Russian journalism. Kuznetsov is a well-known entrepreneur.  In 2004, he and his wife founded a digital marketing agency aimed at developing and supporting social media projects. In 2018, Sergey launched Le Sallay Academy, an international secondary school.He is the author of the novels Butterfly Skin, Round Dance of Water (shortlisted for the Big Book Prize). The Round Dance of Water was translated into English and published in the US in 2022 by Dalkey Archive Press. In 2017, he published the acclaimed family saga Teacher Dymov, about members of the same family in changing times. His most recent novel, Kaleidoscope: Expendable Materials, received praise from both readers and critics. He has lived in Paris with his family since 2013.


Viktor Kulle was born in 1962 in the city of Kirovo-Chepetsk. Kulle is a poet, translator, literary critic and essayist. He is the author of Russia’s first dissertation on Brodsky’s poetry (1996) and a commentary on Brodsky’s Collected Works.  Kulle is the author of the poetry collections Palimpsest (2001) and Everything Seriously (2011), and  the winner of the Noviy Mir Prize (2006), the Italian prize “Lerici Pea – Mosca” (2009) and the A.M. Zverev Prize from “Inostrannaya literatura ” (2013).


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Dmitry Kuzmin is considered one of the most significant figures in contemporary Russian poetry.  He was born in 1968. After graduating from Moscow Pegadodical University, he worked as an assistant professor of foreign literature and literary translation. In 1989, Kuzmin founded the Union of Young Writers “Vavilon”.  In 1996, he has started the Vavilon Internet project – an online anthology of current Russian poetry. Since 1993, he has been the head of ARGO-RISK Publishers producing about 20 new poetry titles annually. A selection of his poems and translations It’s Fine to Be Alive won the Moscow Count Prize for the Best Debut Poetry Collection. Since 2006, he has been editing the literary magazine “Vozdukh”. Currently, Kuzmin lives in Latvia.

 

 


 

Picture by Dmitry Kuzmin Vavilon.ru
Credit: Dmitry Kuzmin/ vavilon.ru

Stanislav Lvovsky was born in Moscow in 1972. He graduated from the chemistry department of Moscow State University. Lvovsky was one of the founders (along with Dmitry Kuzmin and others) of the Union of Young Writers “Vavilon” in 1989. After graduation he worked as a teacher of English and chemistry. He is the author of three books of poetry, a collection of short stories (The Word of Flowers and Dogs), and other books. He was the laureate of the 4th Festival of Free Poetry (Moscow, 1993) and the winner of the Moscow Account Minor Prize (2003). Stanislav Lvovsky was an editor-in-chief for the “Literature” section at OpenSpace.Ru, the only Internet media in Russia focused entirely on culture and later at Colta.ru.

 


Alexander Kuznetsov-Tulyanin was born in 1963.  He graduated from Moscow State University. Currently, he works in the editorial office of the newspaper “Tulskie izvestiya” and lives in Tula. He had lived in the Kuril Islands in the Pacific for ten years. His novel Yazichnik about Kuril Islands was published in 2006. It was nominated for the Apollon Grigoryev and National Bestseller prizes. It was considered as one of the significant novels of 2006.


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Vadim Levental was born in St. Petersburg in 1981. He received his master’s degree from St. Petersburg State University. Vadim Leventhal currently works in publishing.  He is the chairman of the organizing committee of the National Bestseller Prize. His first novel Masha Regina was short-listed for the Big Book Award in 2013. The book is about a girl from provincial Russia who begins her career as screenwriter and becomes a star. The book is an interesting combination of postmodernism and psychological drama. An English translation of Masha Regina was published in the UK in 2016.


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Oleg Lekmanov was born in 1967 in Krasnodarskii Krai, Russia. He graduated from the Moscow State Pedagogical University and holds a Ph.D. in Russian Poetry of the Silver Age. Lekmanov is a prominent scholar and has written numerous articles on the history of Russian poetry and literature in the 20th and 21st centuries. He was a professor at Moscow State University and the Moscow Higher School of Economics until he emigrated to Georgia, Uzbekistan, and then the United States in 2022. He is currently a visiting professor at Princeton University. Winner of the National Literary Award “Big Book” (2019); together with Mikhail Sverdlov and Ilya Simanovsky for the book “Venedikt Erofeev: The Outsider” (non-fiction).


Yuriy_Mamleev Yuri Mamleev (1931-2015), Russian philosopher, novelist, and playwright, is best known as the creator of the literary trend called Russian metaphysical realism. His work Судьба бытия  (The Fate of the Existence) is among most interesting Russian metaphysical writings. During the Soviet period, Mamleev was not recognized by the regime and ignored by publishers. His early works were distributed only through samizdat, and he was forced to emigrate to the United States in 1974. In 1983 he had moved to France, where he had taught Russian language and literature. In the early 1990s, Mamleev was one of the first literary émigrés to return to Russia, where he achieved the great success. According to the critics, his short stories and his “legendary novel The Sublimes have become modern classics of Russian literature“.


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Anna Matveeva was born in 1972 in Sverdlovsk, Urals, into a family of linguists. After graduating from high school, she enrolled in the Journalism Department of the Ural State University, where she graduated in 1994. She lives and works in Moscow. The literary critic Viktor Toporov called Anna Matveeva a representative of the Ural magical realism. She is a laureate of the Lo Stellato Award (Salerno, Italy) for the best story – 2004 “St. Helena Island” (“Остров Святой Елены”), a finalist of the Big Book Award – 2013 (story collection Wait, I’ll die, and I’ll come) and Reader’s Choice Award at the Big Book Prize for the book The Nine Nineties (2015). In 2022 she received the Reader’s Choice Award of the Big Book Prize for the novel Every Hundred Years (Каждые сто лет).

 


 112Vladimir Medvedev was born in Transbaikalia, near Lake Kinon, but lived most of his life in Tajikistan. He worked as a geologist, teacher, reporter, and news editor in literary journals. He has moved to Russia later and now Medvedev lives in Moscow. His novel,  Zahhok, according to literary critic Galina Yuzefovich, is one of the best novels written in Russian recently. The novel reveals a dark page in the history of Tajikistan immediately after the collapse of the Soviet Union. The novel is set in the mountains of the Pamirs in the 1990s, where a Russian woman was forced to come after riots for the sake of saving her children. Medvedev’s brilliant narration and the polyphony of seven voices in the novel make it a fascinating, painful but gripping reading.


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Yevgenia Nekrasova was born in 1985 near Astrakhan’ and grew up outside Moscow. After graduating from the Moscow School of New Cinema, she begun publishing her screenplays and short stories in popular journals. Until recently, Nekrasova was best known for her short prose cycle Unhappy Moscow, which was awarded the Lycee Prize in 2017. Her first novel, Kalechina-Malechina, was published in 2018 and was shortlisted for the National Bestseller, Big Book Prize, and NOSE awards in 2019. It’s a modern-day tale about a little girl facing extraordinary and dangerous events.


Alexandra Nikolaenko Screenshot
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Alexandra Nikolaenko was born in Moscow in 1976. She graduated from the Moscow State “Stroganov” Academy of Design and Applied Arts. In 2002, Nikolaenko became one of the youngest members of the Moscow Union of Artists. At the same time, she began to write stories and draw illustrations for them. Her debut novel, Убить Бобрыкина. История одного убийства (To Kill Bobrykin. The Story of One Killing), was published in 2017 and became a laureate of the Russian Booker. It has brought fame to the aspiring author. The unusual plot about a hero obsessed with revenge has been compared by some critics to classical novels, while others consider it experimental and innovative.


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Sergei Nosov was born in 1957 in Leningrad. He graduated from the Leningrad State Institute of the Aerospace (1980) and completed his studies at the Maxim Gorky Literary Institute (1988). He is the author of several successful novels. His Франсуаза, или Путь к леднику  (Françoise, or the Way to the Glacier) was shortlisted for the National Bestseller in 2012. In 2015, Nosov won the National Bestseller Prize for his mystical novel Фигурные скобки (Brackets). This is the sixth novel of the writer, written in the tragicomedy genre. It combines both magical realism and absurdity. The novel was written over the course of ten years, with the writer periodically throwing the manuscript away and then returning to it.  The novel is about the founding congress of illusionists who call themselves “micromagicians.”  It was praised by the critics: “Nosov’s novel is a source of brilliant absurdity and profound sadness.”

 


Alexander Pelevin was born in St. Petersburg in 1988. He is a prose writer, poet and journalist, and has been writing poetry since the age of eighteen. He studied at the Faculty of History of the St. Petersburg State University (he did not graduate); was the chief editor of the web site “Luna. Info”; worked as a security guard in a bookstore. Until 2020 he was a journalist in “Delovoy Petersburg”. Pelevin was shortlisted for the National Bestseller for the novel Четверо. In 2021 he won the National Bestseller Prize for the novel Pokrov-17.

 


Photo by Alexey Evseev
Credit: Alexey Evseev

Victor Pelevin was born in 1962.  Viktor Pelevin is one of the most prominent Russian writers, author of the novels Omon Ra, Chapaev and Emptiness, and Generation P, which have been translated into many languages. According to French literary critics, Pelevin is one of the most influential figures in contemporary culture. His novels interweave elements of science fiction, popular culture, and Eastern philosophy to create the most unexpected postmodern work. He holds a degree in electromechanical engineering from the Moscow Engineering Institute and attended creative writing seminars at the Maxim Gorky Literary Institute. His first novel, Omon Ra, was published in 1992, Blue Lantern won Russia’s first Small Booker Prize. Pelevin is the recipient of numerous literary awards, including the Russian National Bestseller Prize (2004). The esoteric motifs in Pelevin’s books are not accidental; the writer has studied Eastern culture and traveled to South Korea several times to live in a Buddhist retreat. In August 2020, the novel The Invincible Sun was published.


Lyudmila Petrushevskaya was born in 1938 in Moscow. Today, she is regarded as one of the most prominent Russian contemporary women writers and as one of the most famous Russian authors in the West. She is the author of more than fifteen collections of prose, including the New York Times bestseller There Once Was a Woman Who Tried to Kill the Neighbor’s Child: Scary Fairy Tales (2009). Her best-known novel, Time is Night, is a frank description of the lives of Russian women during the Soviet period. Her award-winning memoir, The Girl from Hotel Metropolis, is a memoir of her childhood, when she experienced extreme deprivation, roamed the streets and sang like a young Edith Piaf, asking for alms.

 


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Vera Polozkova was born in Moscow in 1986.  She started writing poetry at the age of five. She studied at Moscow State University. Polozkova gained fame through her poetry blog and video production, bringing poetry readings to the young cultural scene. Her first public performance was in 2007 in Moscow. Polozkova is the author of several books of poetry and the recipient of numerous literary awards, including the Neformat Prize. She represents contemporary pop culture in Russian poetry.

 

 

 


Andrei Polyakov was born in 1968 in Crimea. He holds a degree in philology from Tavrida National University. He was an editor with the Journal Review, a Crimean digest of Russian literature. Polyakov is the author of several books of poetry: Epistulae ex Ponto (1995), The Orthographic Minimum (2001), For Those Who Sleep (2003), The Chinese Descent (2010), Letter (2013), and America (2014). In his poetry, Polyakov has cultivated an image of a poet in exile on the outskirts of the empire, prompting critics to compare him to Ovid. Polyakov is a recipient of Russia’s top award in poetry, Andrei Bely Prize (2011) for his book of poetry Chinese Descent (2010).


Alexey Polyarinov is one of Russia’s most promising young authors. He was born in 1986 and graduated from Novocherkassk Academy of Melioration. Polyarinov is a writer, translator, blogger, columnist and the author of the novels Landscape with the Fall of Icarus, (2017) and Centre of gravity, (2018).  Polarinov’s novel The Reef (Риф) is a finalist for the Big Book Prize (2021).  The novel by  Polarinov is a study of modern sects.  It’s almost a European-style novel and at the same time psychologically profound study of religious cults that blends ancient rituals with modernity,and hides mythological and mystical dimensions behind novelty.


Zakhar PrilepinZakhar Prilepin was born near Ryazan in 1975.  Prilepin had extensive experience as a soldier with the Special Forces in Chechnya. His novel Sankya about a young rebel was based on his own experiences with young political extremists. It was shortlisted for the Russian Booker (2007). It also won the Yasnaya Polyana Award. His novel The Sin won the National Bestseller Prize in 2008.  His recent epic novel Обитель (The Cloister), about life in the Solovki prison camp on the Solovetsky islands in 1920s, won the Big Book Prize in 2014. It is a compassionate story about prisoners trying to keep their humanity and dignity. Prilepin is often considered as one of the best Russian writers of the 21st century.


gallery.vavilon.ru By Alexander Tyagny-Ryadno
Credit: Alexander Tyagny-Ryadno/ gallery.vavilon.ru

Vitaly Pukhanov was born in 1966 in Kiev. After serving in the Soviet Army, he graduated from the Maxim Gorky Literary Institute. He began publishing his poems in the early 1990s. In 1995, his first book, The Wooden Garden, was published in Moscow. After a stressful year in Kiev, where he was unemployed, Pukhanov returned to Moscow and worked for a literary magazine. Since 2003, he has been the executive secretary of the Debut Prize. He is the author of several books of poems, written mostly in traditional lyrical form. He lives in Moscow.


Rodionov

Andrei Rodionov was born in 1971. Rodionov is an outstanding figure in contemporary Russian poetic scene. His poetic career has begun in 2000s as a performer on poetry slams. In 2002, he was awarded the Russian Slam prize. He continues to be a leading figure in the Russian slam poetry movement today;  in 2010, he organized the first national Russian slam final in Perm’. He is the author of seven books of poetry: Новая драматургия (New Dramaturgy) 2010; Игрушки для окраин (Toys for the Outskirts), 2007; Пельмени устрицы (Dumplings-Oysters), 2004 and others.


Viktor Remizov was born in 1958 in Saratov. After serving in military, Remizov studied at Moscow State University and worked as a school teacher and journalist. His latest novel, Vechnaya Merzlota (Permfrost), is a tragic recollection of the construction of the last Stalin’s railway in the Russia’s Arctic Circle in 1947-53, where thousands of gulag’s prisoners were working. By the time Stalin died in 1953, over 350 miles had been built but it was never completed. The river Enisey in the novel represents the symbolism of the frozen world of the labor camp where thousands of people were living and dying. This full-size Siberian epic has 820 pages. The novel was longlisted for 2021 national Bestseller Prize. Remizov lives in Moscow.

 

 


Valery Ronshin was born in 1962. He graduated with a degree in history from Petrozavodsk University in Karelia and continued  his study at the Maxim Gorky Literary Institute in Moscow. He has started writing relatively late but broke into top literary magazines almost immediately. His stories are reminiscent of early Pelevin’s books. He lives in St. Petersburg.

 

 


Arseny Rovinsky was born in 1968 in Kharkov, Ukraine and  graduated from the Moscow Pedagogical Institute. He has lived in Copenhagen, Denmark since 1991. He made his debut in the Russian poetry scene in 1997. In 1999, Rovinsky released his first book of poems Collected Images. It was followed by the collections Exlra-dry (2004), All at Once together with Leonid Schwab and Feodor Svarovsky (2008), Winter Olympic Games (2009), Pearl Divers (2013), Unforgettable (2017), publications in anthologies Nine Dimensions and Ulysses Freed.

 


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Maria Rybakova was born in 1973 in Moscow. She studied at Moscow University and Humboldt University, Germany and hold a Ph.D. from Yale. Rybakova is the author of the novels Anna Grom and her Ghost, The Fellowship of the Losers.  Her novel Anna Grom and her Ghost was nominated for the Russian Booker prize. In 2011, she published Гнедич (Gnedich), a novel-in-verse about Russian poet Nikolai Gnedich, the first translator of The Iliad into Russian. The English translation of Gnedich by Elena Dimov was published in 2015. Rybakova’s novel Chernovik cheloveka was longlisted for the Russian Booker prize in 2015.

 


Kirill Ryabov was born in 1983 in St. Petersburg. After graduating from high school, he has changed many different jobs. He started writing prose when he was thirteen years old and started publishing at the age of 18. His work was mentioned in the longlist of the Debut Prize in 2007. Since then, his short novel Пёс (The Dog ) was nominated for the National Bestseller Prize (2020) and his new novel , 777,  about a man who gets instantly rich when an ATM goes out of control, was nominated in 2022. Today, Ryabov is compared to Kharms and Camus. The novel 777 confirms this reputation. A sudden happy event – an ATM error, which gives the main character a fabulous amount of money – triggers a series of events, as scary as they are funny. Many critics have already noted similarities between the book and Guy Ritchie’s films about the “little man”. The story is both absurd and reminiscent of everyday life in Russia.


Picture by internet portal Год Литературы - 2017.
Credit: Год Литературы/2017.

Andrey Rubanov was born in 1969 in the village Uzunovo near Moscow. His Do Time, Get Time, a semi-autobiographical book about his experience being in prison, was picked up by a publisher and shortlisted for the 2006 National Bestseller Prize. After Rubanov’s name was cleared, he worked in Chechnya as a press-secretary. His Barely a Drop was translated into English. His book Iodine (2010) combines realism with fantasy and anti-utopia. His novel Patriot was shortlisted for the Big Book Prize (2017). In 2019, Rybanov’s novel Finist-Iasnyi Sokol  won the National Bestseller Prize.


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Dina Rubina was born in 1953 in Tashkent, Uzbekistan. She studied music at Tashkent Conservatory. After graduation in 1977, she began working at the Institute of Culture. In 1990, Rubina emigrated to Israel. Today, she is one of the most widely read Russian Israeli authors. Her life and adventures since 1990 are reflected in several of her novels. She is the author of almost twenty books. She lives in Israel but writes in Russian.

 

 

 

 


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Lev Rubinstein (1947-2024) was a Russian essayist, journalist, poet, and social activist. He was a founder and member of Moscow Conceptualism. After graduating from Moscow State University, he worked as a librarian and bibliographer at his alma mater, where he encountered the library catalog cards that would inspire his famous “notecard poems.” Rubinstein became known for his “notecard poems,” in which each verse is presented on a separate notecard. These notecards emphasize the text as both an object and a unit of expression. To read a poem, the reader must interact visually with the text. An accomplished poet with a keen eye for unusual detail, Rubinstein was the winner of the prestigious Andrei Bely Prize. His books Catalog of Comedy Novels (2003) and Here I Am: Performance Poems (2002) have been translated into English.


German Sadulaev was born in 1973 in the town of Shali, Chechnya to a Chechen father and Cossack mother. In 1989 he left Chechnya to study law at Leningrad State University. Today, he lives and works as a lawyer in St Petersburg. His second book, I am a Chechen!, was nominated for the National Bestseller Prize.


Nina Sadur was born in 1950 in Novosibirsk. She came to Moscow in 1977 to study at the Maxim Gorky Literary Institute from which she graduated in 1983. Sadur demonstrates an extraordinary grasp of theatrical conditions in her plays: she both conforms to tradition and innovations. She has developed her own post-Soviet theater language. Her first play, Chudnaia baba (The Weird Peasant Woman, 1989) was very popular with the studio theaters that flourished in Moscow in the mid-1980s. This combination of Soviet reality with universal absurdity came to light when Vladimir Tumanov staged Chudnaia baba in Vilnius, Lithuania in 1988. In 2014, Sadur published The Witching Hour and Other Plays, noted by The Times Literary Supplement. 


Igor Sakhnovsky was born in 1958 in the city of Orsk, Orenburg region. In 1981 he graduated from Ural State University and worked as a literary consultant. In 1999, “Novyi Mir” released his first novel Pressing Needs of the Dead. In 2000, the novel was nominated for the Apollon Grigoriev Prize. In 2002, it was translated into English and awarded the International Literary Prize. Sakhnovsky, is a novelist with a distinctive sense of eccentricity, and natural curiosity, and often blends realism and fantasy. His A Keen Feeling of Saturday: Eight First-Person Stories (2009) is a collection of stories based on curious retelling of real stories. His novel, The Man who Knew Everything was included in the list of finalists for the National Big Book Prize and Russian Booker.


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Aleksei Salnikov is a Russian writer and poet. Salnikov was born in 1978 in Tartu, Estonia, but the family moved to the Urals. He became famous with the publication of the novel The Petrovs in and around the flu (2018), which gained national fame and became one of the literary events of the year.  It won the National Bestseller Award (2018). Salnikov’s new novel Оккульттрегер (Occulttrager) is written in the genre of urban fantasy. In the year 2019, in a small Ural town appeared – special beings – occulttragers. Literary critic Galina Yuzefovich writes: “In this story, mysticism comes to the fore: the main characters of the book are angels, demons and witches, who live in ordinary Russian apartments (khrushchevkas) and dream of a “normal” life.” It was shortlisted for the Big Book Prize 2023. Salnikov lives in Yekaterinburg.


By Anastasia Karkacheva.Faces of Russian Literature
Credit: Anastasia Karkacheva/ Faces of Russian Literature

Nikita Safonov is a poet and literary critic. He was born in 1989 in Omsk, Siberia and lived in Ryazan’. Ten years ago, he has moved to St. Petersburg, where he graduated from the Mining Institute, Department of Underground Space. He is the author of the book of poems Knots (Узлы, 2011). His poetry was published in the journals Translit, NLO, and Air, and on the websites TextOnly and Halftone. He was a participant in the “Poetronic” festival in Moscow and the 7th Annual May Festival of new poets.  His vers libre poetry is striking with its absence of traditional meter and rhymes, but also with brilliant layered prosody. He lives in St. Petersburg.


SamsonovSergey Samsonov was born in 1980 in Podolsk. He is the author of the novels The Leg (2007), Kamlaev Anomaly (2008), The Oxygen Limit (2009). In 2009, he was a finalist for the National Bestseller Prize. His novel Соколиный рубеж, about the epic confrontation between two air combat aces during World War II – the Soviet “Stalin Falcon” and the German pilot – was included in the long list of the 2017 National Bestseller Award. Sergei Samsonov is considered a major discovery of Russian literature in recent years.

 

 


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Olga Sedakova was born in 1949 in Moscow. She graduated from Moscow State University and earned her Ph.D. in Slavonic Mythology. Since 1991, she has lectured at Moscow State University. She became Chevalier d’ Honneur de l’ Ordre des Arts et des Lettres de la Republique Française in 2005. She was the winner of the Andrei Bely Prize (1983) for poetry, essays and poetry translations in samizdat. Sedakova is one of the most prominent poets in Russia today and also a literary scholar. Her collections The Silk of Time and Poems and Elegies have been translated to English.

 

 

 


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Ilya Semenenko-Basin was born in 1966 in Moscow and graduated from Moscow University. He began writing poetry very early in his adolescent years, but his first book of poetry, By the Streams of Silver, was published only in 2012. It was shortlisted for the Russian Gulliver’s Poetry Prize in 2014. He is a professor at the Center of Religious Studies at the University of Humanities in Moscow. Semenenko-Basin’s verse libre poetry is often laconic, but full of philosophical insight. It is always a thought clothed in the verse form, sometimes a sketch of the world around him – momentary and concise, a miniature in itself.


senchinRoman Senchin was born in 1971 and grew up in Siberia. His family had to leave his native Tuva and move to Minusinsk as a result of the post-Soviet nationalist strife that broke out there. He recently moved to Moscow. Senchin is one of the most talented writers of his generation, the founder of so-called new realism.  He wrote several novels and many short storie. Senchin wrote an excellent novel, The Eltyshevs, about an ordinary Russian family that is falling apart under new economic conditions. His novel Minus was translated into English by Arch Tait. Senchin’s novel The Flood Zone is an homage to Valentin Rasputin’s Parting with Matera. The novel is set in modern Siberia and tells the story of the tragic fate of Siberian villagers. It won third place in the Big Book Award (2015) Senchin is the winner of several prestigious literary prizes.


andrej_sen-senkov_4x4jpg_220x500jpg_768x768 (1)Andrei Sen-Sen’kov was born in Tajikistan in 1968. He has received a degree in medicine from Yaroslavl’s State Medical Academy, then lived in Borisoglebsk before settling in Moscow in 2001. After his first book of poetry appeared in 1992, he has become one of the foremost figures in Russian verse libre poetry.  He also works with visual poetry and collaborates with visual artists and filmmakers such as Peter Greenaway. Sen-Sen’kov  has published seven books of poetry, prose poems and visual poetry and won the Andrei Belyi Prize in 2018.

 


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Credit: Irina Shkoda/ WikiMedia

Grigory Sluzhitel was born in 1983 in Moscow. He is an actor, singer and writer. He graduated from the State Institute of Theatre Arts (GITIS) in 2005. Currently, he is an actor at the Studio of Theatre Arts and lead singer of the O’Casey Band. He became famous for his debut novel Savely’s Days. It is a bittersweet story of the cat called Savely, and the people around him, but above all it is a universal tale about great love and parting.  It let him win the Readers Choice Award at Yasnaya Poliana. Savely’s Days was recommended by Evgeny Vodolazkin and was shortlisted for the Big Book Prize in 2020.

 

 


Sasha Sokolov is considered one of the premier writers of the post-Soviet period in 90s. He was born in 1943 in Ottawa where his father worked at the Soviet embassy. He graduated from Moscow State University with a degree in journalism. He emigrated from the Soviet Union in 1975 and moved to Canada. His book Shkola dlia durakov ( A School for Fools) is a narrative about a boy’s life. In 1996 he received the Pushkin Prize for his literary works.


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Ekaterina Sokolova was born in 1983 in Syktyvkar. She graduated from the Department of Philology of the Syktyvkar State University. Sokolova is the author of four books of poetry. Her poems are translated into English, Italian, French. Poems translated into Italian were published in anthology of contemporary Russian poetry La massa critica del cuore (2013). She was the winner of the Moskovsky Schet Award (2014) and the Debut Literary Prize (2009),  and was short-listed for the Andrey Bely Prize (2016). She was also a Joseph Brodsky Fund Fellow in poetry in Fall-2017. She lives and works in Moscow.

 

 


Dmitri Kuzmin/ gallert.vavilon.ru
Dmitri Kuzmin/ galleri.vavilon.ru

Vladimir Sorokin is one of the most popular writers in the postmodern Russia. He was born in 1955 in a small town outside of Moscow. Sorokin was trained as an engineer at the Moscow Institute of Oil and Gas, but turned to art and writing, becoming a major presence in the Moscow underground of the 1980s. His work was banned in the Soviet Union, and his first novel, The Queue, was published by dissident Andrei Sinyavksy in France in 1983. His famous and controversial novel Blue Lard won the National Booker Prize in 2001. His 2006 novel, Day of the Oprichnik, describes a dystopian Russia in 2027, with a Tzar in the Kremlin, a Russian language with numerous Chinese expressions, and a “Great Russian Wall” separating the country from its neighbors. In 2015  he was awarded the Premio Gregor von Rezzori Prize for this novel. His novel Telluriya was published in 2013. Doctor Garin, the writer’s latest novel, is the next chapter in his dystopian projection of Russia.


Viktor Sosnora (1936-2019) is considered one of the most important representatives of the Leningrad/Petersburg school of poetry. He is also known as one of the most experimental of Russian poets, and one of the foremost translators of Catullus, Oscar Wilde, Edgar Allan Poe, and Allen Ginsberg into Russian. His poetry is characterized by distinctive irony. Sosnora was born in Alupka, Crimea but lived almost all his life in St. Petersburg. When World War II broke out, Sosnora spent a year under the blockade of Leningrad before being evacuated from Leningrad to a region in the south of the Soviet Union through the “Road of Life”. His first book was published in 1962. Sosnora for many years lectured in Paris and the United States. His book of poetry The January Downpour was published in 1989.  Sosnora was the Russian Poet Laureate in 2012.


Skidan,_Alexander Alexandr Skidan was born in Leningrad in 1965. He is a poet, critic, essayist, and translator. He attended The Free University, while working as a stoker in a boiler house (1985–2002). His poetry collections include Delirium (1993), In the Re-Reading (1998), Red Shifting (2005), Dissolution (2010) and Membra disjecta (2015). In 2006 Red Shifting was published in the USA.  In 2006, he won the Andrei Bely Prize for Red Shifting. In 2018, he was awarded the Joseph Brodsky Memorial Fellowship in poetry and spent the fall in Rome and Venice. He is the co-editor of the New Literary Observer magazine and lives in St. Petersburg.

 

 


Olga Slavnikova.Picture for Causa Artuim. 2011Olga Slavnikova graduated from Yekaterinburg State University in 1981 and began writing  fiction in the late 1980s. She was the editor, then managing editor of the literary magazine “Ural”. Her first novel, A Dragonfly Enlarged to the Size of a Dog, made the short list for the Russian Booker Prize in 1997; it immediately raised her to the top ranks of Russian literature. She has received the Apollon Grigoriev Prize, the Polonsky Prize, the Bazhov Prize. Her magnum opus, 2017, won the Russian Booker prize in 2006 and was translated into English but the translation did not reproduce the original’s merit. Slavnikova’s Прыжок в длину (Long Jump) won the Yasnaya Polyana Award (2018) and was the finalist for the Big Book Prize. Olga Slavnikova lives in Moscow.


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Anna Starobinets was born in Moscow in 1978 and graduated from Moscow State University. She writes in the genre of “intellectual fantasy.” In 2005, Starobinets published her debut collection of strange stories Awkward Age. Today, Starobinets is often described as the Russian successor to Stephen King, writing science fiction and horror stories. Being under-represented in Russian literature, this genre is very popular in the West and many her books have been translated into English.

 

 

 


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Maria Stepanova is among the most notable figures on the contemporary Russian literary scene. She is a poet and well-known journalist, one of the founders and publishers of OpenSpace.ru and Colta.ru. Stepanova was born in Moscow in 1977 and graduated from the Maxim Gorky Literary Institute. She is the author of several books of poetry and prose and two volumes of essays. Her books include Songs of the Northern Southerners, Happiness, In Memory of Memory (2017), and others. Her long poem Prose of Ivan Sidorov, first published online in 2006, has been staged. Her poetry is a wonderful example of the modern epic ballad. She is the recipient of numerous Russian and international awards for her poetry, including the Joseph Brodsky Foundation Memorial Scholarship (2010). Maria Stepanova, one of the most powerful voices of contemporary Russian literature, now lives in exile in Berlin. She was awarded the prestigious Leipzig Book Fair Prize for European Understanding in 2023.


-Marina_Stepnova_(2020)Marina Stepnova was born in 1971 in the small town of Efremov, in the Tula region. Stepnova was raised in Moscow, where she now lives. She graduated from the Maxim Gorky Literary Institute and did postgraduate studies at the Institute of World Literature. She is a translator from Romanian. Stepnova’s translation of Nameless Star by Mikhail Sebastien has been staged by numerous theaters throughout Russia. Her debut novel, The Surgeon, was published in 2005 then re-released in 2012. Stepnova’s second novel, The Lazarus’s Women, was nominated for the National Bestseller prize in 2012. It is written in a genre of family saga. Her third novel, The Italian Lessons (Безбожный переулок), came out in 2014. The Garden,  Stepnova’s new novel about the life of fictional Princess Boryatinskaya’s daughter in the mid-nineteenth century, was short-listed for the Big Book Award (2021).


Sergei Shargunov was born in 1980 into the family of a Russian Orthodox priest. He is a graduate of Moscow State University with a degree in international journalism. Since then, he has reported from different locations including Chechnya and South Ossetia. In Russia,  Shargunov earned a reputation of writer with a social conscience. Since 2000, Shargunov works at the literary magazine “Novyi Mir”. In 2016, he became the member of Russian Duma. Shargunov is the editor- in-chief of the website Svobodnaia Pressa. He is the winner of the Debut Prize for his novel Malish nakazan (The Child is Corrected).  His Book Without Photographs was shortlisted for the National Bestseller Prize and was a contender for the Big Book Prize

 

 


Photo credit Academia Rossica
Credit: Academia Rossica

Vladimir Sharov (1952 – 2018) was a Russian novelist who was awarded the Russian Booker Prize in 2014 for his novel Return to Egypt (Возвращение в Египет). He graduated from Voronezh University with a degree in history. In 1984, Sharov defended his thesis on the history of the Ivan the Terrible’s secret police, the Oprichnina. His first novel was published in 1991. Возвращение в Египет (Return to Egypt), was shortlisted for the Big Book Prize, Russia’s most prestigious literary award, and won the Russian Booker Prize a few months later. Its hero, a Soviet agronomist by the name of Nikolai Gogol, the descendant of the great Russian writer of the same name, takes upon himself the task of completing his ancestor’s unfinished masterpiece, Dead Souls, and leading the Russian people to salvation. Sharov follows the historical journey of Soviet generation whose lives are correlated to the Book of Exodus – hence the novel’s title. He is the author of Rehearsals (2018), an astonishing reflection on art, history, religion, and Russian national identity.  It was at the New Jerusalem Monastery in seventeenth-century Moscow that Patriarch Nikon attempted to stage the “New Testament.”


Tatiana Shcherbina was born in 1954. She graduated from Moscow State University. Shcherbina published six books in samizdat (unofficial literature) before 1986.Between 1992 and 1997, Shcherbina lived in Paris and Munich where she continued to write poetry and prose, translated poems from French into Russian, and worked for Radio Liberty. Her original work has been widely translated and included in many of the premiere volumes of contemporary Russian poetry.


Michael ShishkinMikhail Shishkin is a Russian-Swiss writer and the only author to have won the Russian Booker Prize (2000), the Russian National Bestseller (2005), and the Big Book Prize (2010). He was born in 1961 in Moscow.  Shishkin has worked as a schoolteacher and journalist before his immigration to Switzerland in 1995. His Venus Hair (Maiden’s Hair) received both the National Bestseller Prize and the Big Book Prize.  Living in Switzerland since 1995, he has not returned to Russia since 2014. Shishkin considers himself a Russian writer and continues to be published in Russia even after his questionable “stolen language” letter was published. He is considered a writer of postmodern prose, and his writings are sophisticate in nature and certainly overrated by Westerners.

 

 


Elena Shvarts (1948-2010) was one of the leaders of the Leningrad underground culture of the 1970s and 1980s. She was born in Leningrad and lived there all her life. Shvarts studied at the University of Tartu, where her first poems were published in the university newspaper in 1973. Her work began to appear in émigré magazines in 1978. She published two collections of poetry, Dancing David and Stikhi, and a novel in verse,The Labor and Days of Lavinia, abroad before the collection was allowed for publication in the Soviet Union, “which brought her immediate recognition both at home and abroad. The collected works of Elena Schwartz were published by the Pushkinskii Fund in 2002-08.


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Sofia Sinitskaya was born in Peterhof in 1972. She graduated from St. Petersburg  University in 1995. Her first book of prose was published in 2013, but it was not until 2020 that her book The Shining of the  Zhemozhakha (Сияние  “Жеможаха”)  became a finalist for two major literary prizes, “National Bestseller” and “The Big Book”, and aroused great interest among readers and critics. According to the publisher, it is a book  about the Great Patriotic War, repressions, the siege of Leningrad. Literary critic Marina Kronidova  writes: “The language is unusually dense, lively, metaphorical, but the author’s philological skill does not let it overflow, and this is a stylistic feature of Sinitskaya’s prose, as well as a wonderful humor.” The book  Хроника Горбатого (The Chronicle of the Hunchback) was shortlisted for the National Bestseller – 2022.  It combines history and fiction, the main “hero” of the story is the city of Vyborg – from the time of its foundation by the Swedes to the present day.


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Credit: etazhi-lit.ru

Fedor Svarovsky was born in 1971 and immigrated to Denmark at the age of 19, where he received refugee status and lived for six years. In 1997, he returned to Moscow and continued to work as a journalist. His first book of poetry Everyone Wants to Be a Robot (Все хотят быть роботами) was shortlisted for the Andrei Bely Prize (2007) and received the Moscow Account Minor Prize. He is the author of Time Travelers (Puteshestvenniki vo vremeni, 2009), Glory to Heroes (Slava Geroyam, 2015) and other books. In 2011, Svarovsky participated in PEN’s New Voices reading series in NYC.  He is the author of notable “New Epos Manifesto” (2008) and one of the leaders of the “new epic ” literary movement in Russia. He lives in Montenegro.


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Eugenia Suslova was born in 1986 in Nizhny Novgorod and graduated from Nizhny Novgorod University. She holds a Ph.D. from St. Petersburg State University. She worked at the Moscow International Film School and at the Children’s Literature Publishing House. She is a representative of the so-called “Internet” poetry, which aims to attract the reader’s attention through the use of language juxtaposition. As a result, these verses are difficult to understand, but some critics consider them innovative. A poem about salamanders is used for her profile in the New Map of Russian Literature. Suslova’s book Svod Mashtaba (2013) was nominated for the Andrey Bely Prize. Animal (Животное) was published in 2016. She lives in Nizhny Novgorod.


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Nikita Sungatov is a poet and literary critic. He was born in 1992 in Prokopyevsk, a small mining town in Siberia, and studied at the Maxim Gorky Literary Institute. Since 2010 he has been publishing his poetry in the literary magazines “Air”, “NLO” and “Translit.”His poetry is characterized by a refusal of the individual voice, epic narrative, and brilliant linguistic tools. All together it creates a unique poetic style. In 2015, Sungatov published his first collection of poetry, Young Poet’s Debut Book, about the daily struggles of a talented and restless youth. With its dry humor, literary value and political undertones, it aroused great interest among young readers.


Terekhov 2Alexander Terekhov was born in 1966 in the provincial city of Tula, south of Moscow. After graduating from Moscow State University, he served in the Soviet security forces. Later, Terekhov worked as a reporter. During this time, he began to gain recognition for his literary dissection of military life and his portrayal of the chaos that perestroika brought to provincial Russia. His novel The Rat Killer was published in 1997. Terekhov’s novel The Stone Bridge, dedicated to the secrets of Stalin’s Moscow, won second place in the 2009 Big Book Awards. In 2012, his novel The Germans won the National Bestseller Award. His subtle satire has often been compared to that of Saltykov-Schedrin, and Terekhov is  considered one of Russia’s finest novelists.


Tatiana Tolstaya is a writer, TV host, publicist, novelist, and essayist. She was born in Leningrad in 1951. After completing a degree in philology at Leningrad State University, Tolstaya worked for several years at a Moscow publishing house. In the mid-1980s, she began publishing short stories in literary magazines and her first story collection On the Golden Porch established her as one of the foremost writers of the “perestroika” and post-Soviet period. She spent much of the late 80-90s living in the United States and teaching at several universities. Her novel The Slynx (Кысь, 2000) is a dystopian vision of post-nuclear Russian life. For twelve years, from 2002 to 2014, Tolstaya co-hosted the Russian reality television show School for Scandal (Школа злословия).


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Alexander Tsypkin is one of the most recent literary discoveries.  Born in 1975 in St. Petersburg, he made his literary debut online in 2015 and is an author, producer, screenwriter, and philanthropist. He is best known for his four collections of short stories. Currently, his theatrical and literary project “Unprincipled Readings” is selling out venues in Russia and abroad. In recent interviews, he has stressed the importance of writing about what interests him: “It turns out that there is a deep meaning that I did not expect”. His Дом до свиданий (2018) became one of the top 10 bestsellers in Russia in 2018.

 


Alexey Tsvetkov was born in Ukraine in 1947. He studied history at Moscow State University, and hold a Ph.D. in philology from Michigan State University. In 1975, he became a founding member of the Moscow Time group of poets, which also included Bakhyt Kenzheev, Alexander Soprovsky and Sergey Gandlevsky. Tsvetkov immigrated to the USA in 1975. He worked for the Voice of America and radio Svoboda as a radio journalist. His first three collections were published in the USA. In 1996, the book entitled Poems was published in St. Petersburg. Currently he lives in Israel.


Lyudmila-UlitskayaLyudmila Ulitskaya was born in 1943 in the Urals and graduated from Moscow State University with a degree in biology. Several years she worked in the Institute of Genetics as a scientist. She made her literary debut in the early 1990’s with a collection of short stories. Ulitskaya was the first woman to win the Russian Booker prize for her controversial novel Kazus Kukotskogo (2001). Her works have been translated into several languages. Her Yakov’s Ladder (Лестница Якова, 2015) was nominated for the Big Book Prize in 2016.


Andrei Usachev was born in 1958 in Moscow. He attended Moscow Institute of Electronics but left to study humanities at Tver State University. He is the author of books for children. In 2005, he won the Book of the Year Prize (children’s).


Tatiana Ustinova has published close to 30 novels and is one of the most popular Russian crime fiction authors.


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Yana Wagner was born in Moscow in 1973 into a bilingual family. Her mother came to the USSR from Czechoslovakia in the 60’s to study Russian language and literature. After graduating from the Russian State University for the Humanities in 1994, Yana worked as a Czech-English translator and spent more than a decade in transportation logistics. She became known for her debut anti-utopian novel, Vongozero (2011). The novel was shortlisted for the NOS and National Bestseller literary awards. It has since become a bestselling novel, translated into multiple languages and adapted into a Netflix series
The sequel to Vongozero, the novel Living People, was published in 2013. It was on the longlist for the National Bestseller. The novel Who Did Not Hide (2017) is written in the genre of the hermetic detective. It was nominated for the Big Book, Yasnaya Polyana and National Bestseller. Her latest book Tunnel is nominated for the Big Book Prize 2023-24. Vagner lives near Moscow with her husband, teenage son and three dogs.


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Timur Valitov was born in Nizhny Novgorod in 1991. Having earned a degree in corporate law, he is currently studying for his master’s degree at the Higher School of Economics in Moscow in the Creative Writing program.  His literary texts have already won awards and have been published in Russian literary magazines. Valitov is a finalist for the Lyceum Award. In 2021, Elena Shubina published Valitov’s debut novel The Corner Room. Timur Valitov lives in Moscow, where he works as a copywriter for an IT company.


Credit: Dmitry Rozhkov/WikiMedia

Alexei Varlamov was born in Moscow in 1963. He graduated from the Faculty of Philology of Moscow State University (1985). He defended his M.A. thesis “Apocalyptic Motifs in Russian Prose of the Late 20th Century” (1997) and his Ph.D. thesis “Life as Creativity in the Diary and Prose of M.M. Prishvin” (2003). Currently, he is a professor in the Department of the History of Modern Russian Literature at Moscow State University and also teaches at the Literary Institute. Varlamov’s novel September Eleventh (Одиннадцатое сентября) (2003) received mixed reviews from critics. In 2014, the novel Myslennyi Volk was published, which the author described as “a personal attempt to talk about the Silver Age”. Varlamov is a prose writer who is best known for his biographies of writers, including Aleksey Tolstoy, Mikhail Bulgakov, Mikhail Prishvin, and Andrei Platonov. He is the permanent author of the series “Lives of Remarkable People”. In 2022 he was shortlisted for the Big Book Award for his work The name of Rozanov (Имя Розанова) about the life of one of the most mysterious and controversial figures of the Silver Age, the thinker and writer Vasily Rozanov.


 

Credit: Svklimkin/Wikipedia

Oxana Vasyakina was born in 1989 in the city of Ust-Ilimsk, Siberia into a working-class family. She wrote her first poetic text at the age of 14. In 2016, she graduated from the Maxim Gorky Literary Institute. Vasyakina is a participant of poetry festivals and slams in Novosibirsk, Perm, Vladimir, and  Moscow. Her work has been published in the journal Vozdukh, on websites Colta.ru, TextOnly, and others. The first book of poems Women’s Prose was published in 2016. In 2017, she wrote a cycle of poetic texts Wind of Fury,  published by the AST publishing house in 2019 in the series “Female Voice”. Based in Moscow, the 31-year-old now runs a creative writing studio, and organizes meetings and poetry readings in support of gender activists.


Dmitry Vedenyapin was born in 1958 in Moscow. He graduated from Moscow State Pedagogical Institute of Foreign Languages. Vedenyapin is the author of four poetry collections. He won the Big Moscow Count Poetry Prize for the book  Mezhdu shkafom i nebom  (Between the wardrobe and the sky) in 2010,  and became Joseph Brodsky Memorial Fellow in 2011.


Igor Vishnevetsky was born in 1964 in Rostov-on-Don. Originally aspired to become a composer, he studied at Rostov State Conservatory, before attending  Moscow State University to pursue a degree in philology. In 1986 he graduated from the Faculty of Philology at Moscow State University, and in 1996 received a PhD in Slavic languages from Brown University (USA). Subsequently,  he taught at Emory University for five years. Vishnevetsky has authored six collections of poetry and two monographs on Andrei Bely (2000) and Russian émigré composers of the 1920’s and 1930’s (2005). In 2011 his novel Leningrad about the German siege of the city during WWII won the NOS Prize. It is an extraordinary mixture of prose and poetry, snippets from private letters and diaries, quotes from papers and the NKVD documents. Vishnevetsky divides his time between the United States and Russia.


200px-ВоденниковDmitry Vodennikov is a poet, radio host and essayist. In 2002, he was named one of the top ten best living Russian poets. He was born in 1968 in Moscow, and graduated from Moscow State Pedagogical Institute. After graduation, he worked as a teacher. He continues his humanitarian mission today by helping a children’s foundation. Vodennikov is considered to be a leader of the “New Sincerity” movement in Russian literature. He is the author of several volumes of poetry: Tchernovik, 2006, Promise (Obeshanie, 2011), and Hello, I’ve come to bid you farewell (Zdravstvyite, ya prishel s vami poproschatsya) – an autobiographical novel (2007). For a number of years, Vodennikov has been hosting radio shows about contemporary Russian literature including “Notes from a Neophyte,” “From One’s Own Angle” (Своя колокольня), and “Poetic Minimum.


Vodolazkin,_Yevgeny_01Evgenii Vodolazkin was born in 1964 in Kiev. He is a recognized expert on medieval Russian history and folklore, having authored numerous scholarly articles. Vodolazkin has been working in the Department of Old Russian Literature of the Pushkin House since 1990. Vodolazkin came to prominence with his debut novel, Solovyov and Larionov, which was popular with readers and critics alike. It was nominated for both the Andrei Bely Prize (2009) and the Big Book Award (2010). Vodolazkin’s Lavr (Laurus), about the life of the fictional St. Arseny, is a famous postmodern novel. It was awarded the Big Book Prize -2013. It has been translated into English by Lisa Espenschade. Two other critically acclaimed novels, The Aviator and Brisbane, have also been translated into English. In 2020, he published a novel about a mysterious island that doesn’t appear on any maps, Justification of the Island. It was shortlisted for the Big Book Prize-2021. His new novel, Chagin, won the Big Book Prize -2022/23. Vodolazkin lives in St. Petersburg.


Photo by Andrei Borisov http://gallery.vavilon.ru/
Credit: Andrei Borisov/ gallery.vavilon.ru

Valery Votrin was born in 1974 in Tashkent into a Russian family. He studied English Language and Literature at the Department of Germanic and Romance Studies at Tashkent State University. He has lived in Belgium since 2000, where he received a M.S. in Human Ecology and a Ph.D. in Environmental Sciences from the Free University of Brussels. He has worked as an environmental consultant. At the same time, he translated and published short stories by Flann O’Brien, T. F. Powys, and Eric Stenbock as well as numerous poems by the 17th – 20th century English and Scottish poets. Votrin began publishing short stories and novels in 1995. In 2009, his novel The Last Magog was shortlisted for the Andrei Bely Prize. Another novel, The Speech Therapist (Логопед), was nominated for the Russian Booker Prize and the Big Book Prize in 2012. It is one of the bright examples of Russian postmodernism.


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Mikhail Weller was born in Kamenets-Podolsky, Ukraine in 1948. He graduated from Leningrad University in 1972 with a degree in linguistics. He has worked as a lumberjack and hunter in the taiga, a shepherd, a teacher, and a journalist. He currently teaches modern Russian literature at the Universities of Milan, Jerusalem, and Copenhagen. His books The Adventures of Major Zvyagin (1991) and Legends of Nevsky Prospect (1993) became bestsellers. Another of Weller’s bestsellers, the scandalous The Courier from Pisa (2000), has gone through 11 reprints. His short novel The Knife of Seryozha Dovlatov caused a literary scandal.

 

 


Credit: Wikipedia

Leonid Yuzefovich was born in Moscow in 1947. He was born and raised in the Urals and graduated from Perm University. Yuzefovich has a doctorate in history (1981). Since 1975 he has been a history teacher in a Moscow school, until his retirement in 2004. Yuzefovich began writing in his youth but became widely known only after the publication of a trilogy of detective novels about the real-life 19th-century police inspector Ivan Putilin (2001). He has twice won the Big Book Award for his historical fiction: Cranes and Pygmies (Zhuravli i karliki, 2009), about the turbulent 1990s in Russia, and The Winter Road (Zimniaia doroga, 2016), about the Russian Civil War, which also won the National Bestseller Prize. Leonid Yuzefovich’s novel Филэллин (The Philhellene) won the Big Book Award, Russia’s most prestigious literary prize, in 2021.

 


oleg-zaionchkovsky-455x250Oleg Zaionchkovsky was born in Samara in 1959. He comes from a well-known Russian noble family. He spent almost his entire adult life in the small town of Khotkovo near Moscow, working as an engineer at a rocket engine plant. His first two books, Sergeev and the City and Petrovich, were published in 2004. These are depictions of everyday life in an ordinary Russian town, written in a realistic style reminiscent of the Russian classics. The novel Sergeyev and the City was short-listed for the National Bestseller and Russian Booker awards. His book Happiness is Possible (2010) was also on the short list for the Russian Booker Prize and the Big Book Award. It consists of several short stories and in a beautiful, unpretentious Russian language tells of the quiet joys to be found in modern life.


S_Zavyalov_2008Sergey Zavyalov is a prominent representative of the St. Petersburg postmodernist poetry. He was born in 1958 in Tsarskoe Selo and graduated in Classics from Leningrad University. In 2004, he moved to Finland and to Switzerland in 2011. He is currently teaching the history of Russian poetry at the University of Zürich. Zavyalov published his first poems in the 1980s in the “samizdat,” and was a member of the art group Club-81. At the end of the 1990s, Zavyalov participated in several joint literary actions with a group of St. Petersburg poets, later to be known as postmodernists (Arkadii Dragomoshchenko, Alexander Skidan, Dmitry Golynko and others). His poetry has gradually developed from vers libre to prose poetry and from the lyrical to the epic. He has published several volumes of poetry: Melica, 2003;  Orations (Rechi), 2010; Soviet Cantatas, 2015, and others. In 2015, he won the Andrei Bely Prize for Soviet Cantatas.


Source: Vladimir Vyatkin / RIA Novosti/RBTH
Credit: Vladimir Vyatkin/ RIA Novosti/RBTH

Guzel Yakhina was born in 1977 in Kazan and now lives in Moscow. She graduated from the Moscow Academy of Screenwriting. Zuleikha Opens Her Eyes is her debut novel. In 2015 it was awarded the Yasnaya Polyana Literary Prize and won the Big Book Prize. The novel tells the story of Zuleikha, a peasant woman living in a remote Tatar village in the 1930s who is sent to a Siberian labor camp. Her novel, My Children (2018), received mixed reviews but still won the popular vote for the Big Book Prize (2019). In March 2021, Yakhina’s third novel, Echelon to Samarkand (Эшелон на Самарканд), about the children of the famine-stricken Volga region in 1921, was published. In December 2022, the novel won the Reader’s Choice Award established by the Big Book Prize.

 

© 2015-2024 Elena Dimov / Contemporary Russian Literature / All rights reserved.

Excerpt from the Novel-in-Verse “Gnedich” by Maria Rybakova

Contemporary Russian Literature in Translation

We are happy to introduce the  novel-in-verse  Gnedich  by Maria Rybakova. ( Gnedich,  Moscow: Vremia, 2011). Maria is one of the winners of the Russian Prize in short fiction for Gnedich.

Maria Rybakova was born  in Moscow and studied Greek and Latin. At the age of 20, she moved to Berlin to continue her studies. In 1999, her first novel, Anna Grom and her Ghost  was published in Moscow. Several other novels and short stories followed. Rybakova’s books have been translated into German, Spanish, and French.Maria Rybakova earned her Ph.D. in Classics from Yale University and currently is faculty at San Diego University.   In 2012, her novel  A Sharp Knife for a Tender Heart was nominated for the prestigious international Jan Michalski award. The author, who is currently teaching Classics and Humanities at San Diego State University, is working at her fifth novel.

Gnedich  is a novel about the life of Nikolai Gnedich (1784-1833) – a romantic poet, librarian, and first translator of The Iliad into Russian.  It is written in verse, and is a fine example of the revival of the poetic tradition masterfully explored by Pushkin in Eugene Onegin. Like The Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death.

The poetic language of Gnedich is refined, it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. In a review in the Times Literary Supplement, Andrew Kahn noted Rybakova’s gift for “seamlessly layering different registers, such as the vernacular of Pushkin’s generation and the archaic of high-style epic,” which lends a unique texture to this “winningly touching novel.”

Poet Gnedich

Nikolai Gnedich (1784- 1833) was a Russian poet and translator best known for his translation of the  Iliad (1807-29).

 

 

Excerpt from  Sixth  Song

“In the hallway he took
a note from the tray and opened it.
It was from Semyonova.
Why is it that he did not recognize her name
despite seeing it many times?
It was the same handwriting:
long delicate lines, uncertain, tilted,
like a teenager’s,
and on the same fine watermarked paper.
But why the name was unknown?
He always unsealed her letters with a shiver
but not this time.
The letter’s magic omens
were only the Russian alphabet.

This was the name of a woman
with whom he had fallen out of love.

He had ceased loving her,
but she called him
to come in the morning to give her
another lesson in recitation.

As a seminarian,
he invented his own method of tragic speech
and became not himself
but the shadow of the fallen heroes in the war
or the step-mother who loved her stepson,
one of the many who’ve died but live
in funeral decorations of the theater
when the curtain rises between
our lives and the life everlasting.

When he was becoming a god or a woman
he knew that the life he was destined to live
was only a chapter
in the big thick book of opportunity.
Rising on tiptoes and turning his face to the sky
he captured the audience with his voice…
*           *            *           *
The beauty
also was rising on her tiptoes
and turning her face to the skies,
and the sky looked at her face
as if at its own reflection.
…………………..

Out of the grey the sky became a purple evening.
The servant brought some coffee in china cups,
and the conversation switched to intrigues at the theater,
then he was given his coat in the hallway
and went out into the Petersburg winter night,
which fell at four in the afternoon.
He left the fairy tale
in which all wishes come true
and entered the Greek epic where the hero
wants only one thing – to be faithful to fate.
And if death was waiting for him,
he would love his defeat.

But how beautiful were years
Semyonova was everything to him:
how she put the big vase with flowers on the floor,
how she threw back her head
exposing her white throat,
and resembled a swan,
He thought:
you could swim in my tears,
princess”.

Translated by Elena Dimov. Edited by Austin Smith

Seventh Song

He wrote his thoughts down
in the small notebook
without hope that someone would read them.

The soul’s breath,
the prayer,

my son’s lovely soul,
your father created you
at my lips by his kiss.

Infinity is in
the forest breeze,
in the man’s voice
but since we went around the globe
it’s no longer here.

the Greek marble,
the poem of Simonides,
contour on a vase,
hard as the justice of ancient times
that punished the smallest of crimes
by death.

aren’t you the amber?
Saadi asked the piece of clay
No, I am simple dirt
that lived with a rose

dying like a flower
that dries without leaving a trace
of August’s fragrance.

It is unlikely that to doubt immortality
means to deny God.
We are so small and the world is so big,
our pretense for eternity
is clearly exaggerated.

Who put gates on the sea?
Who uttered:
Hitherto shalt though come, but no further:
and here shall thy proud waves be stayed?

In the night between the 18th and the 19th
I had a wonderful dream:
someone with the voice of Batyushkov
told me that Homer and Jesus, son of Sirach,
lived in almost the same times
and not far away from each other.
But Homer had so many words:
hilly, mountainous
powerful, quick, the fastest
and the other had so many thoughts!
Homer was a chatterer
and Sirach’s son was a contemplative.
Annoyed by these words
I woke up.

Gnedich wrote down dreams in the morning, thoughts in the evening.
During the day he worked at the library
where he got a salary
and had a desk near the window.
There were always new books in neat piles,
he cataloged them,
writing in his clear handwriting
the title of every volume on a note card
he put it in a box,
an aide put the book on the proper shelf,
but he always was afraid the youth got it wrong
so Gnedich went to check
to be sure everything was in its place.
This continued into evening.
He forced himself not to look out the window,
not to pay attention to the people going by,
not to count the weeks and months
not to think
that he had already spent years in this hall,
that more years came and went,
and then a few more.
Instead he wished to rejoice in
the titles of the books,
the clarity of his own handwriting,
the fact that the library
had more collections,
that it expanded like the capital
that the aisles between shelves
were similar to streets and canals,
only straighter, and that there
the shadow always reigned,
and there was never any wind; he consoled himself with silence
which was so similar to eternity that between these walls
the shadow always reigned,
and there was never any wind; he consoled himself with silence
which was so similar to eternity that between these walls
you might not to be afraid of time.

He knew that he would never get old, that the illnesses
would beat him before life could make him tired,
and that a life devoted to cataloging
was not so bad: and something (the library cards) was growing
but look at the years – they are contrary.
We have only those which are not inscribed
and they are becoming fewer
with every spring.
We need to look at life philosophically,
he used to say
reaching for the bread with butter wrapped in paper;
then shook crumbs from the table and
took out a little volume of Pascal.
Something childlike in his soul sighed:
ah, why I am not as clever as he is!
What a blessing it would be for a soul
to soar into the pure empyrean space.
and notice neither dust nor bread with butter.
But the voice fell silent and the eyes were reading.

When I am looking at the blindness and misery,
at the silent world, at the darkness, where a man
is abandoned, alone, lost
in this corner of the universe and doesn’t know
who sent him and why,
nor what will be after his death –
I am terrified as though while sleeping
I was blown to a desert island
and, upon waking,
don’t know
how I got there
or how to get out.

And the library suddenly ceases to be
a library
and the straight hallways cease to be straight
and the catalogs disintegrate
and the letters become
just hooks and squiggles
and in the midst of it Gnedich (but is he Gnedich?)
grasps with one hand for the desk
and with another for the chair
so he will not fall into the gulf
that from the left is tearing the floorboards,
and then from the right.

Beyond the walls, it feels like Petersburg,
or some other city
where people walk on the streets,
having not yet managed to die.
A blizzard
rises like a slow snake
over the Finnish swamp
and moves toward the capital, gaining strength.
It sings and, within its song there is
as much meaning as in the aria that
the public will listen to in the evening.

He cannot remain at the service.
He grips his fur coat and throws it over his shoulders,
his hands barely obeying him, as if
they belong to someone else;
he descends down the stairs,
steep as a cliff, –
the one who descended to the bottom is already not the same
as the one who began descending. A snowstorm
hits him in the face:
– This will teach you humility –
but does he need to be taught? He always knew
that he was a nonentity,
and this nothingness under the weight of the fur coat
moves his feet along the street,
and the blizzard again whips at his cheeks,
and, in tears,
he says: – I am still something!
Moisture and wind blind his eyes, but he feels
the warmth and salinity of his tears,
wanders up to his house, inserts the key
into the keyhole.
He shakes the snow off the heels, and his
poodle Malvina, ears waving, hastens to meet him.
In a hurry he starts a fire to warm him up,
but cannot get warm.
When I am looking at your blindness and misery,
at the silent world,
at you in darkness,
as though you were brought to a desert island
and were left there….

He gets up and walks around the room
walking, walking, walking, and trying to reassure himself that
he has a body,
that there is furniture around him and wallpaper on the walls,
his glance falls on the bookshelf
and his cheeks flush with shame:
for some reason he still keeps
the fruit of his youth’s madness –
the novel “Don Corrado de Guerrera;
or the Spirit of Revenge and Treachery of Spaniards”.
He wrote it through long lonely nights
when he was twenty
imagining this would win the hearts of his female readers.
He takes the book with two fingers and
cast it into the garbage.
He thought he was a writer,
but it turned out not to be so.
(We know who we are merely when we are loved,
we are those who are loved, and only that.
Otherwise there is nothing).
He falls into a chair and buries his face in his hands.
Malvina caresses his feet, a cat on a couch
is awakening, stretching paws
and showing the world his fair belly;
the room is getting warmer
and Gnedich is sleepy but he forces himself
to get up and go to the desk
where there is a copy of the “Iliad.”
He should light candles,
otherwise he will go blind
(already a Cyclops), and pour the fresh ink.

A sun then
a sun then touched
the valleys
a sun touched the valley with rays
then again
now the morning sun – which rays – merely struck the meadows….
climbed into the sky
from the ocean, where waters
roll softly, deeply flowing
they (who are they? Two armies or
dead Greeks with the living?)
they met each other
it was so difficult to recognize the dead
the living ones loaded them onto carts
washed off the blood, felt
tears roll down
but Priam forbid them
to cry out in grief
and in silence
they put their dead into the fire
and when it had eaten everything, they left
to go to the sacred city of Troy,
the Achaeans too put their dead in a fire
and when it had eaten everything – departed
to the empty ships.

He falls asleep and he dreams about the empty field.
And in the morning he cannot remember his dream.
He carefully dresses in front of the mirror
and goes to work
where he stays until evening, and in the apartment
Elena enters with a soft smile.
She cleans while he’s not there,
cleans the dust from them plaster heads in the study room,
from a clock, and from many-a ‘book.
Before there were less;
once there was only one sofa, and now there are three,
and the carpet on the floor, belike looks Persian,

The three-foot mirror need be cleaned again
so there are no smudges.
Master is reflected in it.
(She almost forgot his face;
before ’twas the porter as let her in,
and now a valet).
But she reckons there are more books,
more candles burned down.
There is a woman on the wall dressed like a savage-

maybe she is an outlandish queen.-
Elena kneels
to pull out the paper basket from the desk,
and there she finds a small book in the trash
and another one.
What she can do? Carry them to the garbage?
What if he looks for ‘em?

But if she leaves ’em,
They ’ull say she worked badly.
So she hides the books at her bosom
If they ask her, she will bring ’em,
if not, she’ll throw ’em out later herself.
Elena shakes up a bed in his bedroom.

Do the gentries
have noble dreams?
Or do they dream the same filth as everyone else?
Coming back home at night, she hopes to
have some noble dream,
sumthin’ like princess from that pic’ter
or dances as that agoin’on
in them stone manors.
For at the river-sides are such low banks
and beggars a-sittin’ at the bridges,
danglin’ their stumps,
main thing to not look at them for long
so they won’t spook ye at night.

( 2012) Translated by Elena Dimov.

Translations of the excerpts of works by contemporary writers are used for educational purposes only.

 

Ostromov, or the Sorcerer’s Apprentice by Dmitrii Bykov

Following is an excerpt from the chapter “A Manual on Levitation” from the 2010 novel Ostromov, ili uchenik charodeiia: posobie po levitatsii, (Ostromov, or the Sorcerer’s Apprentice) by Dmitrii Bykov. In 2010, the work was awarded “Best Form” by the Ukrainian literary organization Portal, which consists of authors, publishers and editors. It was the best-selling book in Russia throughout 2011.

Translated by Kristina Uvarova
Edited by Michael Marsh-Soloway


A Manual on Levitation

Aleksey Alekseevich Galitsky was a hopeful man and it ruined him. Until 1918 he played in Berk’s private theater, but Berk left and the theater was closed. It was easier for Galitsky than for many: he did not have to provide for a family, preferring the comforts of a bachelor and non-burdensome contacts to the shackles of a household. In 1918 he was 48 years old, robust, and, as they said, trustworthy. His search for income led him to a group of lecturers, PCCMS (PECUCU) – The Petrograd Commission of Cultural Management of Scholars, founded by the passionate propagandist of the spoken word, Tabachnikov. Tabachnikov proposed that since oral language is easier to master than written language, all teaching in the schools of the victorious proletariat should be converted to verbal lectures on all branches of knowledge, but especially on reading aloud, and for this Galitsky proved indispensable. He was there, rain or shine, he started in the high school and university classes, but then, when Tabachnikov expanded his power, he went to the factory workers; his voice rose, he wheezed, and Galitsky read.

It was certainly a joyless activity. Aleksey Alexeyevich never admitted it to himself, boasting to his friends that an audience always filled him with gratitude and energy. But it was hard to read to children or workers, especially in long, cold halls with dusty windows. The new repertoire consisted mainly of verses by the proletarian poet Kirillov, which were long and passionate, like bright red ribbons. The verses didn’t affect the audience, and yet they were disagreeable to him, and even the old people almost completely fell into illegality. He departed from the routine and instead mastered the compositions of Balmont and Minsky, who had enough red ribbon in their time. But he managed to drag a love letter, no more than five verses. The rest of the time the proletarians were sleepily fixed, as they are always tired after any work.

But he was so happy to return home on foot through the sleeping city, where for some reason he did not meet a single one of the legendary thieves about whom there was so much gossip. Aleksey Alekseyich walked through the snowy Petrograd, the fair city without lights, and read everything he wanted to the frozen drifts. These returns were saved only by his blessed memory and the readings in front of proletariat he completely forgot. They provided him with a poor ration and it was all that was required of them. Well, sometimes he appeared grateful in the proletarians’ eyes and even astonished, with which the love toward art always begins. And shortly somebody from among the grateful proletarians informed against him. They didn’t get together after the work day for listening about the old regime; and Tabachnikov set a great scandal for Aleksey Alekseyich.

He shouted that his innovative theory met unbridled resistance, that there is a necessity to read to the workers and not lyrics about the bouqu-u-u-ets (which Galitsky had never read in his life), but to give them basic knowledge, at least of physics, and in case the actors are too useless to read from a course on physics, then at least let us give them an unperturbed program, so that nobody acts audaciously! Aleksey Alekseyich felt that something important was not said and hence he grinned widely out of delicateness, submitted his resignation from PCCMS, and suggested that he should find other opportunities so that nothing terrible happens… In a minute Tabachnikov calmed down, became softer and even called him his dear friend, he shook his hand for a long time and swore to return Galitsky to his position as soon as the opponents of the oral reading calmed their villainous heat, and you know, took a deep breath.

So Aleksey Alekseevich remained without service, but as we know, he was a hopeful man, so he didn’t lower his head, and turned to Victor Petukhov the director of SHKURa number five, althought it was called the Grade A school on the Vyborg side. Petukhov was also an experimenter, but so was everybody else. Nothing was to be taught in simplicity, everything only with the help of an unprecedented methodology. So it seemed to Petuhkov that for proper assimilation one needs an active body, and in general he expressed that the memory of the body was stronger than that of the mind. Every physical law corresponded to its own physical exercise. Aleksey Alekseevich came to the Petuhkov and offered him his service. Already in the fall of 1919, he started teaching a course, where, with time, the comrades of SHKURa‘s members had been drawn. They not only put on “The Tale of Tsar Saltan”, and “The Flea”, but also took up Shakespeare. Of course, it had to all to be within the limits of the antimonarchical repertoire, just to strike social evils under the curtains, but Aleksey Alekseevich contrived here to twist his own evil, to read them Bryusov, and to see in their eyes…

What could be seen in the hungry yellow eyes of high school students in 1919? But it seemed to him that that his word was cascading upon a gentle soil, and indeed, as though a pair, hunted and hopelessly abased, began to bloom and even imitate something, Aleksey Alekseevich invited them to his home to drink carrot tea and to talk intimately, and several times, he was trusted to lead the lesson when the philologist was ill, but most unbearable was the demand of Petuhkov to sit during the reading of “Eugene Onegin”, so that the whole class also sat.

But there was such happiness to arrive home on foot in that wonderful hour, when the day declines into night, but it was still luminous and just above Petrograd stretched a carrot-tinged, no better to say apricot dawn! How pleasurable it was to read to the trusting booby, Anisimov, anything from a beloved work, noticing that he asked more and more meaningful questions! In everything, positively in everything, it was possible to find charm and meaning, and if you could look with uncomplicated eyes, Aleksey Alekseyich Galitsky could have been happy at this post, if Petuhkov had not committed an offense with something before the authorities and his school was dissolved. What’s more, the dejected Anisimov and Malakhov, who had just understood and committed something to memory, went to work: one of them to the depot, another one to the Trotsky tobacco factory, and there they were immediately destined to forget everything that they were taught by the eccentric artist.”

Disclaimer

Translations of the excerpts from the works of modern writers are made for the educational purposes only.

The New Russian Literature

One of our goals is to introduce the new Russian literature to readers in America. Despite the appearance of many talented new authors, only a few of them have had works translated into English and become known to the western public. Even less known in the West is the younger generation of Russian authors, whose talented and fresh voices have begun to change the literary landscape in Russia in recent years.

Since 2000, the Russian Foundation’s Debut Prize has helped to discover and aid a new generation of Russian literary talent by nominating and awarding the Debut Prize to the most outstanding and original works by young authors.

This new generation of writers and poets has the potential and ambition, and most importantly – the  talent – to become potential future classics of Russian literature. The works of the finalists of the Debut Prize create a vibrant, colorful image of the new Russian literature, free from the limitations of the past and now more open to the world.

As part of the outreach program, the New York-based non-profit  Causa Artium, in partnership with the Debut Prize Foundation, started the New Russian Literature Program and in February 2012 sponsored a tour of the prize-winning young writers from Russia: Alisa Ganieva (2009),  Dmitry Biryukov (2005), Irina Bogatyreva (2006), and Igor Savelyev (2004). The thematic and literary styles of these authors are different, as different as their experiences. In all of their works, however, one can see the talent, humor, and optimism which are influencing the phenomenon of the New Russian Literature – genuine, multifaceted, and fearless.

Among the works submitted to American audiences in Washington DC, Boston, and New York were “Salam, Dalgat!” by Alisa Ganieva (2009) and collections of short stories like “Off the Beaten Tracks” and Squaring the Circle  (short stories by winners of the Debut Prize), 2010. 

Olga Slavnikova

Olga Slavnikova is one of the most renowned contemporary writers in Russia. She was born in Sverdlovsk (now Yekaterinburg)  in the Urals  to the family of  aerospace engineers. After graduating from  Yekaterinburg State University, Slavnikova worked as a fiction editor, then managing editor of the literary magazine ‘Urals’. She has lived and worked in Moscow since 2001. Her first novel was published in 1988. Among her acclaimed novels are  Стрекоза, увеличенная до размеров собаки (‘Dragonfly the Size of a Dog’), Бессмертный (‘Immortal’).

But her real magnum opus is 2017  –  a fascinating love story set in her native Urals Mountains region. The novel is also a philosophical reflection on the dramatic history of Russia and its future, beauty of the nature, and  it’s full of references to the mythology of her native Urals. It won the Russian Booker Prize in 2006.

Alisa Ganieva

Alisa Ganieva was born in 1985 in Moscow, but soon moved with her family to their native Dagestan. A graduate of Moscow’s  Literary Institute, Ganieva has since won numerous awards for her prose and also a prize for her literary criticism.

She was propelled to true stardom by her work Salam tebe, Dalgat! (2009).

From the first strophes of Salam tebe, Dalgat! one is introduced to the marvelous world of the Caucasian  Dagestan village where people are discussing subjects unimaginable from a Western perspective – how to steal a bride and where you need to drink your vodka till the last drop –  which are all happening at a party with various colorful personages. And  there the party could end in the assassination.

Sometimes the tale is written with an incredible sense of  humor, but beneath the exotic facade is an exploration of the problems of humanity written with such talent that it makes the story about Dalgat the true discovery.

It is all the more unusual that this work was a written by a young woman, who was hiding behind the name of a young Dagestani fighter named Gulla Khirachev, and who uncovered her true identity only after the announcement of the award of the Debut Prize.   This literary mystification only adds to the charisma of Alisa Ganieva. Salam tebe, Dalgat! has since been translated into English.

Dmitry Biryukov

Dmitry Biryukov was born in 1979 in Siberia and lived in Novosibirsk’s “Academic City.”  Novosibirsk holds a special place in Russia; it is situated in the heart of Siberia and is populated by a special kind of people who are called “sibiriak” in Russian – strong and independent people.

Biryukov holds degrees in history and philosophy in addition to his post-graduate work at the Institute of Philosophy and Law and the famous Literary Institute in Moscow. After the success of his short story, Birukov has started work on a long novel.

In America Burykov was reading the excerpts from his story Uritsky Street.

Irina Bogatyreva

Irina Bogatyreva was born in 1982 in Kazan, Tatarstan. She is a graduate of the Literary Institute in Moscow in 2005. Since then she has been recognized by numerous literary awards for her stories published in Russia’s leading literary journals.

Bogatyreva’s  autobiographical hitchhiking trip from Moscow to Altai was described in her work Off The Beaten Track. What made this story so fascinating to young people? It is a story about a girl alone on the road having adventures and meeting all kinds of people. It is an everyday story but written with a talented eye to the details and  understanding of the psychology of young people.

Igor Saveliev

Igor Savelyev was born in 1983 into a family of writers in Ufa, Bashkiria.  He still lives there  and works as a crime reporter for the local news agency.  In 2005, his short novel Pale City won the Debut Prize. It is a wonderful narrative about his native Ufa and young people.  One can see the freshness of his style and association with modern cultural icons which attract the young readers to him.

The Librarian by Mikhail Elizarov

Born in 1973 in Ivano-Frankovsk, Ukraine, Mikhail Elizarov could barely remember the Soviet era of his parents’ and grandparents’ generation. In 2007, however, the young writer wrote a book that would come to be associated with the lost generation of Soviet people and won the 2008 Russian Booker Prize. It was the fourth and biggest book of the bright debutant of the 90s and, in essence, the first major post-Soviet novel showing the reaction of the generation of the 30s to the world in which they lived.

The title of the book,  Библиотекарь (The Librarian), deceptively conjures up the expectation of perhaps a quiet evening’s reading. Indeed, The Librarian is a novel about books, about the mystical powers of the written word. At the beginning, one hardly expects the strange upheavals that such books can cause, including the violent refusal of the books’ readers to acknowledge the end of the era by the obscure writer Gromov, and an almost Kafkaesque ending to the book. Gromov’s books had deceptive titles like Fly Happiness or Silver-Flat Waters, but in fact they had the magical power to change the person who read them, and readers began to organize “libraries” or armies to fight for these books.  Alexei inherits a The Book of Memory and becomes a “Librarian” without knowing it.  Gromov’s books gave different powers to readers; Narva, known as the Book of Joy, has a euphoric effect, and Книга Ярости (The Book of Rage) stimulates anger. But the most important prize in the battle between the libraries is the lost Book of the Meaning. We understand that it is Gromov’s eulogy to Stalin.

The Librarian starts with a quotation from The Foundation Pit by Andrei Platonov. And in a way, Elizarov’s book is a continuation of the ideas of Platonov’s great and tragic book about wasted lives:

The worker must fully understand that baskets and engines can be made as necessary, but it’s not possible to simply make a song or a sense of excitement. The song is more valuable than mere things…”

 Andrei Platonov

     Gromov

The writer Dmitry Alexandrovich Gromov (1910-1981) lived his final days in complete obscurity. His books completely disappeared in the debris of Lethe, and when political disasters destroyed the Soviet motherland, it appeared as though there was nobody left to remember Gromov.

Hardly anyone read Gromov. Of course, the editors who determined the political loyalty of the texts and the critics read it. But it was unlikely for somebody to be worried about and interested in titles like “Proletarian” (1951), “Fly, Happiness!” (1954), “Narva” (1965), “On the Roads of Labor” (1968), “The Silver Flat-Water” (1972), or “The Calm Grass” (197).7).

The biography of Gromov went side by side with the development of the socialist fatherland. He finished middle school and pedagogical college and worked as executive secretary in the factory newspaper’s editorial board. The purges and the repression did not touch Gromov; he quietly endured until June of ‘41 before he was mobilized. He came as a military journalist to the front. In the winter of 1943 Gromov ‘s hands were frostbitten; the left wrist was saved but the right was amputated.

Thus, all of Gromov’s books were created by a forced left-handed man. After the victory, Gromov moved his family from the Tashkent evacuation to Donbass and worked in the editorial office of the city newspaper until his retirement.

Gromov started to write late, as a mature forty-year-old man. He often addressed the theme of the formation of the country, glorified the cotton being of the provincial cities, towns and villages, wrote about mines, factories, the boundless Virgin Soil and harvest battles. The heroes of his books were usually the Chairmen of the Kolkhozes, red directors, soldiers returning from the front, the widows keeping their love and civil courage, the pioneers and Komsomol members – strong, cheerful, and ready for heroic labor. Good triumphed with painful regularity: the metallurgic factories were built in record time, the recent student during his sixth month internship at the factory became a skilled specialist, the plant exceeded the plan and accepted the new one, and the grain in the fall flowed by the golden mountains to the Kolkhoz’s granaries. Evil was rehabilitated or went to prison.”

*                               *                               *                               *

“Although Gromov published more than half a million copies of his books, only a few copies survived in club libraries in distant villages, hospitals, ITKs, orphanages, or otherwise rotting in basements among party congress materials and serials of Lenin’s collected works.

And yet Gromov had devoted fans. They scoured the country for surviving books and would do anything for them. In normal life, Gromov’s books had titles about some shallow waters and grasses. However, Gromov’s collectors used significantly different titles – “The Book of Power”, “The Book of Strength”, “The Book of Rage”, “The Book of Patience”, “The Book of Joy”, “The Book of Memory”, “The Book of Meaning”…

By Mikhail Elizarov

Moscow: Ad Marginem, 2010.

Translated by Elena Dimov, edited by Margarita Dimova

Disclaimer

Translations of the excerpts from the works by the contemporary writers are used in educational purposes for students of modern Russian literature or for literary criticism only.

Many Talents of Dmitrii Bykov

Dmitrii Bykov is one of the most prominent contemporary Russian writers but he is still not known in the West. In 2006  Bykov won the National Bestseller Prize for his book “Boris Pasternak . He became the winner of the National Bestseller Prize again  in 2011 for his novel  “Ostromov, or the Sorcerer’s Apprentice” . Only several of his works were translated to English:  his novel Living Souls was translated to English and published by Alma Books in 2010.  Dmitri Bykov is also a poet.

Excerpts  from Amid the Empty Meadows…

By Dmitri Bykov
Translated by Michael Marsh-Soloway

“Amid the empty meadows,
In the amber brume of the afternoon,
My sweetheart lies
Curled up beside me.

The bay willow is blooming,
Honey thicket and dogrose,
I, her lover,
Dozed off in the thick grass.

She gazes off somewhere,
Above the thick grass,
Above my pileous,
Dozed-off head–

And thinks, which of
The centrifugal forces
Will sweep us away, shattering
The remnants of our wings.

And all the while, I sleep blissfully,
She looks there,
Where hellish Hades
And black water,

Arms stretching out,
Embrace on the stoop,
And separations are long
And eternal– in the end.

For the time being,
The sultry heat of Hades frightens her–
A dream, warlike and playful,
Through and through, comes to me.

But my dreams are not things
In which there is something prophetic.
I dream only of objects,
And scents, and color.

I dream not of separation,
Or a foreign land,
But the curve of brushwood,
And, perhaps, of her.

And this malachite
Rug beneath my head–
With the dispersal of the battlefield
Into its protective color.

I dream of automatons,
Cartridge pouches, boots,
Some squares,
Some circles”.

Russian text©2000, Dmitry Bykov

Translations of excerpts of the works of  modern writers are used for educational purposes and literary criticism  only.

Next Generation of Russian classics

Recently, I have heard many questions about who should be considered the best contemporary writer among the new generation of Russian writers. Making predictions about the future is always risky. What do the writers themselves think?

From the interview of the winner of SuperNatsBest ( bestseller of the decade) Zakhar Prilepin for the afisha.ru published on January 14th, 2011: “afisha.ru:  “Who, in your opinion, is the best writer of your generation and why? (You don’t need to mention a specific name.)”

Z.P.: “In my generation (the thirty-year-olds) the ones with the best chance of becoming classics are Sergei Samsonov and Mikhail Elizarov. In the next generation up (the forty-year-olds) – Dmitry Bykov and Alexander Terekhov. I can’t say who the best writer is. For example, I like the work of Mikhail Tarkovsky and of Dmitry Danilov. But could I call one of them the best? And why would I? One possible answer to this question is to say that the best is the one who can do more than anyone else. Then the best is Bykov. Another possible answer is that the best is the one who can do something that no one else can. Then it’s Terekhov. The third answer is that the best is the one who does something in a way only he can. Then it is Danilov and Elizarov and Senchin and Shargunov and Ildar Abuzyarov and Andei Rubanov. OK, let’s make this simpler. In reply to your question I’ll name a person who recently wrote a great novel. His name is Alexander Kuznetsov-Tulyanin and the book is called The Pagan. Not many people have read it, which is a real shame”.

Zakhar Prilepin’s interview gave an outline of the modern literary process in Russia. We should not forget however the appearance of the literary tendencies connected to the New Realism in Russian Literature. We will continue the conversation about the best contemporary Russian writers.

http://booksfromrussia.org/news/short-interview-zakhar-prilepin

By Elena Dimov

Provincial Russia by Maria Stepanova

Among many voices of  young contemporary Russian poets, the poetry of Maria Stepanova is one of the most intriguing. Her first major collection Songs of Northern Southerners       (2001) was so unusual, that the critics immediately called her poetic style a “new epic” and announced it as a new direction in the development of modern poetry in Russia. It was defined by the absence of the author’s presence or any kind of emotional interpretation of the developing story in the verses. Her poetic language is deceptively simple; the story in the verses develops without the emotional intervention of the author. But her ability of creating the dramatic undertones in the poetic story is outstanding.

The story usually starts as a non-emotional narrative staged in several small cities in a Russian province, but then the attention shifts to powers beyond the comprehension of the author, or the readers. Similar to Airman, or in The Prose of Ivan Sidorov the story develops into a metaphysical saga where ordinary Russian people or personages have certain places in the process. Among the main characters of The Prose are the drunken man, the chicken and the sleeping girl – an incredible combination  of the personages…However, their place was only one part of the general movements of space and time which constructed the contemporary epic in the poetry of Stepanova.

The story in The Prose of Ivan Sidorov starts with the appearance of the main hero in the small provincial town somewhere in Russia:

In the provincial town, so to speak,
but in a low-minded way
with white steep cliffs,
with on-shore over the giant strides,
with the tubes of heavy industry,
with women, similar to the touch
like bottles with tight tops, arrives a drunken man.

The background around him  is that of the peaceful Russian provincial city:

“The city, say, under the Snowy Shroud. The lights are off.
Carefully-painted, fences are dark, and even in the square there are no cops.
The new emptiness breathes a quilt,
the Moscow bullet train
that night, is about to depart.”

But  this tranquility concealed the phantasmagoria of the incredible events  starting with the meeting of the drunken man with the chicken and a sleeping girl and ending with the skirmish and the reunion of the heroes in the different reality:

In a waiting room a screaming hen runs across.
In the glass doors emerges a night patrol.
A sleeping girl – below the steering medium-sized adult bike –
and where is her mother? and who is she, trash?
Her eyes open, with nodes stands up –
and accounting, as if in water, into the arms of a neighbor
and “grandfather” murmurs with her lips, all uselessness,
but to sleep for some reason does not cease”….
…“A bullet train stretches along the platform,
long and silky, like a stocking.
The author draws on the memory
and stops the narrative,
leaving the hero to show us yet unknown talent.

The inner consonance with the historic development of Russian folklore and ballad poetry  makes the poetry of Stepanova remarkable example of modern epic  folklore. The Prose of Ivan Sidorov was first published on-line in 2006 at Vavilon.

Since 2007 Maria Stepanova has been the chief-editor of the Russian literary web portal OpenSpace.ru and the participant in the project Vavilon  –  publication of  contemporary Russian literature on-line, started by Dmitry Kuzmin. Maria Stepanova is the recipient of  several major international prizes for her poetry, among them the Joseph Brodsky Foundation memorial fellowship (2010).

Russian texts on-line in Zhurnalniy Zal.

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From Airman by Maria Stepanova

Maria Stepanova at Dacha on Pokrovka. From: http://gallery.vavilon.ru

When he returned from there,
he screamed in his sleep and bombed towns,
and spirits appeared to him.
 He used to get up to smoke and open the window,
our ragged clothes lay together in a heap
and I gathered up a bag for them in the darkness.
But that is nothing yet”.

Translated by Richard McKane

 

Excerpt from Russian text:

“Когда он вернулся оттуда, куда,
Во сне он кричал и бомбил города,
И духи казались ему,
Курить он вставал, и окно открывал,
Совместные тряпки лежали внавал,
И я в темноте собирала суму,

Но это еще ничего.

Копать приусадебный наш огород,
Семейного рода прикорм и доход,
Не стал он и мне запретил.
Не дал и притрагиваться к овощам.
Отъелся, озлел, озверел, отощал
И сам самокрутки крутил.

Но жизнь продолжала себя…”

Translations of the excerpts from the works of modern writers are made under Fair Use.

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